Warren K. Leffler, “Couple listening to radio” (1957)
a hundred windings of the heart —
Warren K. Leffler, “Couple listening to radio” (1957)
a hundred windings of the heart —
cf. Brief Encounter (1945)
David Falconer, “One Family of Four Moved Into the Attic of Their Home…” (1973)
I was happier then. Or was that I? Or am I now I?
Twentyeight I was. She twentythree.
When we left Lombard street west something changed.
Could never like it again after Rudy.
Can’t bring back time. Like holding water in your hand.
Would you go back to then? Just beginning then. Would you?
—James Joyce, Ulysses
cf. photograph by Tim Gouw via Unsplash and Northeastern University Course Catalog, 1980-82
I see you
cf. Thomas A. Morgan, “After The Dip” (edit) (ca. 1904)
And all those acts which Deity supreme
Doth ease its heart of love in.—I am gone
Away from my own bosom: I have left
My strong identity, my real self,
Somewhere between the throne, and where I sit
Here on this spot of earth. Search, Thea, search!
Open thine eyes eterne, and sphere them round
Upon all space: space starr’d, and lorn of light;
Space region’d with life-air; and barren void;
Spaces of fire, and all the yawn of hell.—
Search, Thea, search! and tell me, if thou seest
A certain shape or shadow, making way
With wings or chariot fierce to repossess
A heaven he lost erewhile…
—John Keats, Hyperion
cf. LIFE, 1937
The Finnish Museum of Photography, “At Hotel Aulanko’s Cafe Terrace” (ca. 1950’s)
Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe…
—The Waste Land
Read my palm and tell me why do lovers come and go…
cf. Marie Denise Villers, “Marie Joséphine Charlotte du Val d’Ognes” (1801) and
video by Electric_Cat via Pixabay
cf. Library Company of Philadelphia, “Frankford Creek and Vicinity, Winter” (ca. late 19th century) and
photograph by Peter Gonzalez via Unsplash
Ashes denote that fire was;
Respect the grayest pile
For the departed creature’s sake
That hovered there awhile.
Fire exists the first in light,
And then consolidates,—
Only the chemist can disclose
Into what carbonates.
cf. unidentified photographer, “Head-and-shoulders profile portrait of young woman…” (ca. 1900)
cf. photograph by Will Wilson (edited) via Unsplash
“Trust thyself: every heart vibrates to that iron string…”
cf. LIFE, 1964
Mrs. Dalloway said she would buy the flowers herself…
–Virginia Woolf, Mrs. Dalloway
cf. MPO Productions, “Design for Dreaming” (1956) (Digital Edit)
David Falconer, “Reading and Studying by Kerosene Lamps…” (1973)
The gaslight shone yellow through the frosted transom above the door of Number 31. Gordon took out his key and fished about in the keyhole — in that kind of house the key never quite fits the lock. The darkish little hallway — in reality it was only a passage — smelt of dishwater, cabbage, rag mats, and bedroom slops. Gordon glanced at the japanned tray on the hall-stand. No letters, of course. He had told himself not to hope for a letter, and nevertheless had continued to hope. A stale feeling, not quite a pain, settled upon his breast. Rosemary might have written! It was four days now since she had written…
—George Orwell, Keep the Aspidistra Flying
cf. Corson Hirschfeld, “Sporting Life” (Cincinnati Magazine, 1977)
Morris looked vaguely round him, and gave a deep sigh. “Well, I was in hopes that we might still have been friends.”
“I meant to tell you, by my aunt, in answer to your message — if you had waited for an answer — that it was unnecessary for you to come in that hope.”
—Henry James, Washington Square
“You weren’t so nice to me last night.”
“How could it have mattered then?”
Silence for a moment. Then:
“However — I want to see you.”
“I want to see you, too.”
“Suppose I don’t go to Southampton, and come into town this afternoon?”
“No — I don’t think this afternoon.”
“It’s impossible this afternoon. Various ——”
We talked like that for a while, and then abruptly we weren’t talking any longer. I don’t know which of us hung up with a sharp click, but I know I didn’t care. I couldn’t have talked to her across a tea-table that day if I never talked to her again in this world.
—F. Scott Fitzgerald, The Great Gatsby
Left: H.E. Peck, “Cheer Up Lassie” (ca. 1908);
Right: H. E. Peck, “On Norway’s Coast” (ca. 1908)
The largest fire ever known
Occurs each afternoon,
Discovered is without surprise,
Proceeds without concern:
Consumes, and no report to men…
cf. J. Craig Annan, “Au Jardin” (ca. 1899)
A crowd will gather, and not know it walks the very street
Whereon a thing once walked that seemed a burning cloud.
—Yeats, Fallen Majesty (excerpt)
She’s a cloud
That hangs above my world…
Photograph by Les Anderson via Unsplash
April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire…
—T.S. Eliot, The Waste Land
Tookapic, “Woman Wearing Jacket Sitting On Concrete During Night Time” (via pexels.com)
Hyperion arose, and on the stars
Lifted his curved lids, and kept them wide
Until it ceas’d; and still he kept them wide:
And still they were the same bright, patient stars.
Then with a slow incline of his broad breast,
Like to a diver in the pearly seas,
Forward he stoop’d over the airy shore,
And plung’d all noiseless into the deep night.
—Keats, Hyperion (excerpt)
O My Luve’s like a red, red rose
That’s newly sprung in June…
Trevor T. White, “The Alley” (ca. 1938)
Transit Of Venus
half in sun
half in shadow
the last time I saw you
cf. photograph by Alice Moore via Unsplash
“You have a soul in you of rare quality, an artist’s nature; never let it starve for lack of what it needs.”
—Proust, Swann’s Way
Alfred Stieglitz, “A Snapshot, Paris” (1911)
Cincinnati Magazine, 1971
The barge she sat in, like a burnish’d throne,
Burn’d on the water: the poop was beaten gold;
Purple the sails, and so perfumed that
The winds were love-sick with them; the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes. For her own person,
It beggar’d all description: she did lie
In her pavilion–cloth-of-gold of tissue–
O’er-picturing that Venus where we see
The fancy outwork nature: on each side her
Stood pretty dimpled boys, like smiling Cupids,
With divers-colour’d fans, whose wind did seem
To glow the delicate cheeks which they did cool,
And what they undid did.
—Antony and Cleopatra
(Comes towards her and leans over the back of a chair.)
Are you fretting yourself, ma’am, about anything?
Don’t be. He was always like that, meandering off by himself somewhere. He is a curious bird, Master Richard, and always was. Sure there isn’t a turn in him I don’t know. Are you fretting now maybe because he does be in there (pointing to the study) half the night at his books? Leave him alone. He’ll come back to you again. Sure he thinks the sun shines out of your face, ma’am.
—James Joyce, Exiles
You got that radioaction
Brighter than a sunny day…
cf. Childe Hassam in Joseph Pennell, “Modern Illustration” (1895)
King Kong (1976)
Dave Thomas, “Girl With The Fishbowl” (LIFE, 1970)
How like a winter hath my absence been
From thee, the pleasure of the fleeting year!
What freezings have I felt, what dark days seen!
What old December’s bareness everywhere!
And yet this time remov’d was summer’s time,
The teeming autumn, big with rich increase,
Bearing the wanton burthen of the prime,
Like widow’d wombs after their lords’ decease:
Yet this abundant issue seem’d to me
But hope of orphans and unfather’d fruit;
For summer and his pleasures wait on thee,
And thou away, the very birds are mute;
Or if they sing, ’tis with so dull a cheer
That leaves look pale, dreading the winter’s near.
–Shakespeare, Sonnet 97: “How like a winter hath my absence been from thee”
Library of Congress Prints and Photographs Division, “Playing baseball…” (ca. 1910)
cf. Ide Collars Advertisement (ca. 1922)
“Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.”
Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table.
“You always look so cool,” she repeated.
—F. Scott Fitzgerald, The Great Gatsby
Royal Typewriter Advertisement (ca. 1922)
Bell Telephone Magazine, 1973
cf. Ladies’ Home Journal, 1953
cf. Georges Seurat, A Sunday on La Grande Jatte — 1884 (1884/86) and LIFE (1965)
cf. photograph by Yoann Boyer via Unsplash
“…the situation of the man of genius who, in some accursed hour of his youth, has bartered away the fondest vision of that youth and lives ever afterwards in the shadow of the bitterness of the regret…the fancy of his recovering a little of the lost joy, of the Dead Self, in his intercourse with some person, some woman, who knows what that self was, in whom it still lives a little.”
—The Notebooks of Henry James
Zaida Ben-Yusuf, “Don’t you see that you are making me a great deal of trouble?” (1902)
No shame but mine: I must, forsooth, be forced
To give my hand opposed against my heart
Unto a mad-brain rudesby full of spleen;
Who woo’d in haste and means to wed at leisure.
I told you, I, he was a frantic fool,
Hiding his bitter jests in blunt behavior:
And, to be noted for a merry man,
He’ll woo a thousand, ‘point the day of marriage,
Make feasts, invite friends, and proclaim the banns;
Yet never means to wed where he hath woo’d.
Now must the world point at poor Katharina,
And say, “Lo, there is mad Petruchio’s wife,
If it would please him come and marry her!”
—The Taming of the Shrew
Childe Hassam, “The Colonial Table” (1915)
Wild nights – Wild nights!
Were I with thee
Wild nights should be
Futile – the winds –
To a Heart in port –
Done with the Compass –
Done with the Chart!
Rowing in Eden –
Ah – the Sea!
Might I but moor – tonight –
cf. Heinrich Krenes, Vor dem Pantheon (1908)
Had we but world enough and time,
This coyness, lady, were no crime…
–Andrew Marvell, To His Coy Mistress
We walked to the train stop
on a sunny fall day
I turned around
and saw you
cf. Gustav Kalhammer, “View from Café Heinrichhof…” (1911)
Her eye discourses; I will answer it.
I am too bold, ’tis not to me she speaks:
Two of the fairest stars in all the heaven,
Having some business, do entreat her eyes
To twinkle in their spheres till they return.
What if her eyes were there, they in her head?
The brightness of her cheek would shame those stars,
As daylight doth a lamp; her eyes in heaven
Would through the airy region stream so bright
That birds would sing and think it were not night.
See, how she leans her cheek upon her hand!
O, that I were a glove upon that hand,
That I might touch that cheek!
—Romeo and Juliet
cf. Home Movie
One that is ever kind said yesterday:
“Your well beloved’s hair has threads of grey,
And little shadows come about her eyes;
Time can but make it easier to be wise,
Though now it’s hard, till trouble is at an end;
And so be patient, be wise and patient, friend.”
But heart, there is no comfort, not a grain;
Time can but make her beauty over again,
Because of that great nobleness of hers;
The fire that stirs about her, when she stirs
Burns but more clearly. O she had not these ways,
When all the wild Summer was in her gaze.
O heart! O heart! if she’d but turn her head,
You’d know the folly of being comforted.
–Yeats, The Folly of Being Comforted
Your mother named you. You and she just saw
Each other in passing in the room upstairs,
One coming this way into life, and one
Going the other out of life—you know?
So you can’t have much recollection of her.
She had been having a long look at you.
She put her finger in your cheek so hard
It must have made your dimple there, and said,
‘Maple.’ I said it too: ‘Yes, for her name.’
She nodded. So we’re sure there’s no mistake.
I don’t know what she wanted it to mean,
But it seems like some word she left to bid you
Be a good girl—be like a maple tree.
How like a maple tree’s for us to guess…
–Robert Frost, Maple (excerpt)
Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.
I do not think that they will sing to me.
I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.
We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.
–T.S. Eliot, The Love Song of J. Alfred Prufrock (excerpt)
Well, I’m a bum in the sun and I’m having fun
And I know you know I got no special plans
All the bills are paid
I got it made in the shade
And all I need is the woman…
cf. Cincinnati Magazine, 1990
Charles Frederic Ulrich, Moment Musicale (1883)
and slworking2, Short time lapse of the harvest moon rising over a mountain – YouTube
I love thee to the level of every day’s
Most quiet need, by sun and candle-light…
—Elizabeth Barrett Browning, Sonnets from the Portuguese 43: “How do I love thee? Let me count the ways”
I never knew how complete love could be
Till she kissed me and said…
cf. Delphin Enjolras, The Fireplace and The Best Fireplace Video
cf. Cincinnati Magazine, 1985
The only courage that matters is the kind that gets you from one moment to the next.
cf. Deseronto Archives, “Woman standing outside Bismark Leroy Detlor’s bake shop…” (ca. 1920)
and photograph by Jeff Sheldon via Unsplash
My fiftieth year had come and gone,
I sat, a solitary man,
In a crowded London shop,
An open book and empty cup
On the marble table-top.
While on the shop and street I gazed
My body of a sudden blazed;
And twenty minutes more or less
It seemed, so great my happiness,
That I was blessed and could bless.
–W. B. Yeats, “Vacillation” (IV)
cf. photograph by Paul Green via Unsplash
“Adieu, my Carnival Prince! I can predict that you’ll see a nasty rise in your fever chart this evening.”
Then she glided out of her chair, glided across the carpet to the door, where she stopped and turned halfway back to him, one bare arm raised, a hand on the hinge. Over her shoulder she said softly, “Don’t forget to return my pencil.”
And she left.
—Thomas Mann, The Magic Mountain
Robert Burns, The Window Seat (ca. 1905) and startgrid, “Clouds Time Lapse – YouTube”
Heart, we will forget him!
You and I, to-night!
You may forget the warmth he gave,
I will forget the light.
When you have done, pray tell me,
That I my thoughts may dim;
Haste! lest while you’re lagging,
I may remember him!
Back in my room I wonder
Then I sit on the bed
Look at the sky
Up in the sky
cf. Unidentified photographer (Frances Benjamin Johnston Collection), “Woman sitting on window seat…” (between 1900 and 1920)
And summer’s lease hath all too short a date…
cf. Photograph by Christian Koch via Unsplash
Bain News Service, “listening to records” (detail)
“Only when he touches earth does he, like Antaeus, recover his true strength.”
—Letter from Ivan Turgenev to Pavel Annenkov (referring to Tolstoy) quoted in Isaiah Berlin, “The Hedgehog and the Fox”
cf. Photos by Brandon Morgan (sky), Etienne Desclides (car) and Roksolana Zasiadko (woman) via Unsplash
I remember what my father said–
He said “Son, life is simple,
It’s either cherry red or
cf. Ladies’ Home Journal (1947)
cf. from William Mortensen, “Portrait Procedure” (ca. 1941)
cf. Giuseppe De Nittis, Elegant Young Woman Seen From Behind (ca. 1875)
“You’re from the white boat that sailed in at sunset?”
“Yes,” he replied, “and I am returning immediately.”
“It was like magic! ” she continued. “Suddenly, without a sound, you were anchored in the bay.”
Even this quiet statement bore the shadowy alarm. John Woolfolk realized that it had not been caused by his abrupt appearance; the faint accent of dread was fixed in the illusive form before him.
“I have robbed you too,” he continued in a lighter tone. “Your oranges are in my pocket.”
“You won’t like them,” she returned indirectly; “they’ve run wild. We can’t sell them.”
“They have a distinct flavor of their own,” he assured her. “I should be glad to have some on the Gar.
“All you want…”
—Joseph Hergesheimer, “Wild Oranges”
cf. Eugene de Blaas, Young Woman With Basket Of Oranges And Lemons (1902)
“My dearest fellow, This will not reach you till some time after our
wedding day, which as usual has taken me aback; but I mean to send you
a despatch on the day itself, and this is for dessert. Not that I think so
much of that day; if I had some other dates, I would think more of them:
that of the day when I looked through the window…”
—Letter from Robert Louis Stevenson to his Wife, Fanny, May 15, 1888
I never knew love before
Then came you…
Konstantin Korovin, At The Window (1919)
The night is darkening round me,
The wild winds coldly blow;
But a tyrant spell has bound me,
And I cannot, cannot go.
The giant trees are bending
Their bare boughs weighed with snow;
The storm is fast descending,
And yet I cannot go.
Clouds beyond clouds above me,
Wastes beyond wastes below;
But nothing drear can move me;
I will not, cannot go.
–Emily Brontë, The night is darkening round me
cf. from “The Book Of Photography, Practical, Theoretic And Applied”, Paul N. Hasluck, Ed. (1907)
Photograph by John Sting via Unsplash
cf. A. McFarlin, “A Symphony” (ca. 1918)
I can wade grief,
Whole pools of it,—
I ’m used to that.
But the least push of joy
Breaks up my feet,
And I tip—drunken.
Let no pebble smile,
’T was the new liquor,—
That was all!
Sad lady, blue lady…
Oh, if I only had the right,
I’d be the most watchful guardian
Of your dear life.
What a thing to say!
Who cares what happens to me?
For no one in the world loves you
… except for me.
—Francesco Maria Piave (after Alexandre Dumas fils), “La Traviata”
I loved you since I knew you
I wouldn’t talk down to you
I have to tell you just how I feel
I won’t share you with another boy…
cf. Lesser Ury, Nocturnal Street Scene (ca. 1920)
cf. Édouard Manet, Le déjeuner sur l’herbe (1832-1883)
cf. Eva Watson Schütze, The May Apple Leaf (ca. 1900) and
MiniPCEU, Time Lapse 1080p – Sky, sun, halo, clouds – YouTube
Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm’d;
And every fair from fair sometime declines,
By chance, or nature’s changing course untrimm’d;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow’st,
Nor shall death brag thou wander’st in his shade,
When in eternal lines to time thou grow’st;
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.
On a planet that is spinning
Things move away from you at 1,037 miles per hour.
On your knees
You look for some solid to hold on.
It only comes near you once every 75 or 76 years —
It was last seen in 1986.
“Eppur si muove,” she said.
— John Sapiro, “Astrophysics (Halley’s Poem)”
Photograph by Adrienne Crow via Unsplash
cf. LIFE (1968)
Carl Vilhelm Holsøe, Woman in an Interior with a Mirror (oil on canvas) (1898)
Time does not bring relief; you all have lied
Who told me time would ease me of my pain!
I miss him in the weeping of the rain;
I want him at the shrinking of the tide;
The old snows melt from every mountainside,
And last year’s leaves are smoke in every lane;
But last year’s bitter loving must remain
Heaped on my heart, and my old thoughts abide.
There are a hundred places where I fear
To go—so with his memory they brim.
And entering with relief some quiet place
Where never fell his foot or shone his face
I say, “There is no memory of him here!”
And so stand stricken, so remembering him.
–Edna St. Vincent Millay, “Time Does Not Bring Relief” from Collected Poems (Harper Collins)
And there’s a storm that’s raging
Through my frozen heart tonight…
cf. Burk Uzzle, Broad Street, Philadelphia (1981)
David Falconer, After a long winter without having a smiling service station operator… (1974)
cf. LIFE (1969)
cf. Henri Lebasque, In Front of the Window, Ile d’Yeu (1919) and Tuck Happiness, Summer in Helsinki 2012 Timelapse – YouTube
cf. Sir William Quiller Orchardson, On the North Foreland (1890) and Windy day on the beach – YouTube
cf. Exhibit Supply Co., The Flapperette (ca. 1928)
The Ladies’ Home Journal (1948)
cf. Thomas Wilmer Dewing, Comedia (Oil on panel) (ca. 1892-1894)
Flip Schulke, Female Road Worker Directs Traffic… (ca. 1975)
cf. Konstantin Yegorovich Makovsky, La Parisienne (1902)
cf. Alfred-Émile-Léopold Stevens, Departing for the Promenade (Oil on panel) (1859) and photograph by Josh Wilburne via Unsplash
Cincinnati Magazine (1971)
Edmund Charles Tarbell, Girl Writing (Oil on canvas) (1917)
Leave me now before my heart finds out…
from Northeastern University Bulletin (1974 -1975)
Men at forty
Learn to close softly
The doors to rooms they will not be
Coming back to…
–Donald Justice, Men at Forty
Now I guess it’s too late to speculate
On things as they might have been…
Louis-Joseph-Raphaël Collin, Morning (1884)
Now that lilacs are in bloom
She has a bowl of lilacs in her room
And twists one in her fingers while she talks.
“Ah, my friend, you do not know, you do not know
What life is, you who hold it in your hands”;
(Slowly twisting the lilac stalks)
“You let it flow from you, you let it flow,
And youth is cruel, and has no remorse
And smiles at situations which it cannot see.”
I smile, of course,
And go on drinking tea.
“Yet with these April sunsets, that somehow recall
My buried life, and Paris in the Spring,
I feel immeasurably at peace, and find the world
To be wonderful and youthful, after all…”
–T. S. Eliot, Portrait of a Lady
Frances Benjamin Johnston, Passengers waiting to board a freighter… (detail) (1903)
Frances Benjamin Johnston, Looking down Midway after a rain, Louisiana Purchase Exposition (ca. 1904)
You’re gonna make it after all…
Mark Cohen, Untitled (girls’ faces flashed in bus window)
James Jowers, Woman And Window Display (1968)
When I was one-and-twenty
I heard a wise man say,
“Give crowns and pounds and guineas
But not your heart away;
Give pearls away and rubies
But keep your fancy free.”
But I was one-and-twenty,
No use to talk to me.
When I was one-and-twenty
I heard him say again,
“The heart out of the bosom
Was never given in vain;
’Tis paid with sighs a plenty
And sold for endless rue.”
And I am two-and-twenty,
And oh, ’tis true, ’tis true.
–A. E. Housman, When I Was One-and-Twenty
cf. LIFE (1966)
cf. Toni Frissell, Woman wearing tennis outfit… (1947) and photograph by Paolo Rosa via Unsplash
Bell Telephone Magazine (1964)
No matter what you are
I will always be with you…
Harry Wilson Watrous, Just a Couple of Girls (1915)
The younger of the two was a stranger to me. She was extended full length at her end of the divan, completely motionless, and with her chin raised a little, as if she were balancing something on it which was quite likely to fall. If she saw me out of the corner of her eyes she gave no hint of it — indeed, I was almost surprised into murmuring an apology for having disturbed her by coming in…I enjoyed looking at her…Her gray sun-strained eyes looked back at me with polite reciprocal curiosity out of a wan, charming, discontented face. It occurred to me now that I had seen her, or a picture of her, somewhere before…
–F. Scott Fitzgerald, The Great Gatsby
You go to my head
And you linger like a haunting refrain
And I find you spinning round in my brain
Like the bubbles in a glass of champagne…
Marion Post Wolcott, Sugaring is a social event and is enjoyed by all the young people… (1940)
cf. Edgar Degas, A Woman Ironing (1873) and AlyssaHuberFilms — Rain on Window — YouTube
cf. Johannes Vermeer, Girl with a Pearl Earring (ca. 1665)
Leonard McCombe, “I See My Love” (LIFE, 1951)
cf. photograph by Léa Dubedout via Unsplash and Gazing at the Sun (Time Lapse) – YouTube
Tord Remme, Unknown beauty… (2015) (edited) and toby060912, IMG_7723 (2015)
cf. Mary Shepard Greene Blumenschein, Un Regard Fugitif (detail) (edited and animated) (1900)
cf. Paul-César Helleu, Woman Reclining (edited and animated)
James Jowers, Woman In Department Store (1968)
cf. State Library and Archives of Florida, “Cigarette girl” (1947)
James Jowers, Coney Is (1966)
William McGregor Paxton, Girl Arranging Flowers (1921)
John Singer Sargent, Woman Seated before Piano (from Scrapbook) (ca. 1880)
cf. Coronet, “Marriage Is a Partnership” (1951)
“To dreams that never will come true…”
cf. John White Alexander: Study in Black and Green and Oil Sketch (ca. 1906)
Fernand Khnopff, Hortensia (1884)
cf. Francis Watts Lee, Unidentified Woman (ca. 1900)
cf. photograph (woman) by Gabriele Forcina via unsplash.com
Lawrence Zink, Fashion (Cincinnati Magazine, 1971)
cf. Allen Tucker, Interior (edited) (1921)
I listened, motionless and still;
And, as I mounted up the hill,
The music in my heart I bore,
Long after it was heard no more.
–William Wordsworth, The Solitary Reaper (excerpt)
cf. William Henry Rinehart, Clytie (1872) and photograph via unsplash.com
cf. John Vachon, Lincoln, Nebraska (1942)
Édouard Vuillard, Amfréville-Driveway (detail) (1905)
Fritz Henle, “…mail from home brings a smile to this young student nurse’s face” (1942)
cf. Photograph via unsplash.com (edited)
cf. Alfred T. Palmer, First day on special duty at the Queens Midtown Tunnel… (ca. 1943)
cf. Frank Eugene, Lydia Leslie Lydie – Candlestick (1900s)
Belle Johnson (?), “He loves me. He loves me not.” (ca. 1910)
cf. Frances Benjamin Johnston, Buckhead Springs, Virginia (1931)
cf. Vilhelm Hammershøi, “Interior, Strandgade 30” (1901) and unidentified photographer, “Woman sitting on window seat” (c.1900-1920)
cf. Photograph by Toni Frissell