cf. Keats, “Bright Star!…” and cf. National Geographic Magazine (1948)
Thomas J. O’Halloran, “Medlars – new computer to keep medical information” (1964)
Now I’ve found my heaven
From the neck on up
You’re a perfect eleven
From the neck on up…
cf. Elmer Underwood, “Gossip at a wayside inn at Botten…” (ca. 1905)
And Benedick, love on; I will requite thee…
— Much Ado About Nothing
National Geographic Magazine (1948)
I waited all night, I remember that
smoked a cigarette
went out and saw some friends
drove by your house
went to a bar and had a beer
got back home and tried to sleep…
I knocked the phone off the nightstand
And the operator said, “May I help you please?”
and I said “No thanks, baby tonight there ain’t no help for me —
see I just had a bad dream, that’s all that’s wrong with me
see I just had a bad dream.”
Thomas J. O’Halloran, “Young people working in Library” (1964)
From women’s eyes this doctrine I derive.
They sparkle still the right Promethean fire.
They are the books, the arts, the academes
That show, contain, and nourish all the world.
Else none at all in ought proves excellent.
— Love’s Labor’s Lost
cf. Warren K. Leffler, “George Mason College, Va.” (detail) (1964)
There are more things in heaven and earth, Horatio,
Than are dreamt of in your philosophy.
cf. Gold Bell Catalog (1963)
cf. Richard Avedon, “Carmen, Homage To Munkacsi, Coat By Cardin, Place François-Premier, Paris” (ca. 1957) and Horst Ehricht, “All the rage in Paris” (Maclean’s Magazine, 1977)
cf. Screen Magazine (2003)
Come, come, we are friends. Let’s have a
dance ere we are married, that we may lighten our
own hearts and our wives’ heels.
We’ll have dancing afterward.
First, of my word! Therefore play, music.—
Prince, thou art sad. Get thee a wife, get thee a wife…
— Much Ado About Nothing
W.E. Daugherty, “Solitary” (ca. 1904)
BEHOLD her, single in the field,
Yon solitary Highland Lass!
Reaping and singing by herself;
Stop here, or gently pass!
Alone she cuts and binds the grain,
And sings a melancholy strain;
O listen! for the Vale profound
Is overflowing with the sound.
— Wordsworth, The Solitary Reaper
I’m thinking of you Mary Anne…
cf. photographs of Frances Benjamin Johnston by Frances Benjamin Johnston (ca. 1888)
Esther Bubley, “Girl sitting alone in the Sea Grill…” (1943)
I’ve been made blue
I’ve been lied to
When will I be loved?
cf. Handy (Jam) Organization, “Consuming Women (Women as Consumers)” (ca. 1967)
Garry Winogrand, Untitled (ca. 1965)
Some say the world will end in fire,
Some say in ice…
— Robert Frost, Fire and Ice
Universal Photo Art Co., “1:30 A.M. Oh! How shocking!” (ca. 1904)
cf. Arthur Murray Dance Studio television commercial (ca. 1970)
I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
It’s the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet…
— Maya Angelou, Phenomenal Woman
cf. Library of Congress, “King’s Highway (Remains)”
here and gone
found and lost…
cf. Courier Company, Theatrical poster (1899)
She is neither pink nor pale,
And she never will be all mine;
She learned her hands in a fairy-tale,
And her mouth on a valentine.
She has more hair than she needs;
In the sun ’tis a woe to me!
And her voice is a string of colored beads,
Or steps leading into the sea.
She loves me all that she can,
And her ways to my ways resign;
But she was not made for any man,
And she never will be all mine.
— Edna St. Vincent Millay, Witch-Wife
LIFE Magazine, 1966
I would never see any thing but Pleasure in your eyes, love on your lips, and Happiness in your steps…
— Letter from Keats to Fanny Brawne, July, 1819
cf. Schlesinger Library, “Midnight pranks of college girls” (1903)
But you can’t see you’re still running wild
Now don’t run away from me…
Maclean’s Magazine (1967)
Unto the boundless Ocean of thy beauty
Runs this poor river, charged with streams of zeal:
Returning thee the tribute of my duty,
Which here my love, my youth, my plaints reveal.
Here I unclasp the book of my charged soul,
Where I have cast th’accounts of all my care:
Here have I summed my sighs, here I enroll
How they were spent for thee; look what they are.
Look on the dear expenses of my youth,
And see how just I reckon with thine eyes:
Examine well thy beauty with my truth,
And cross my cares ere greater sum arise.
Read it sweet maid, though it be done but slightly;
Who can show all his love, doth love but lightly.
— Samuel Daniel, Delia 1: Unto the boundless Ocean of thy beauty
Educational Screen Magazine, 1954
Sometimes she tries to hide it from me
But when she starts talking over my head
It makes me dizzy…
Warren K. Leffler, “Couple listening to radio” (1957)
a hundred windings of the heart —
cf. Brief Encounter (1945)
David Falconer, “One Family of Four Moved Into the Attic of Their Home…” (1973)
I was happier then. Or was that I? Or am I now I?
Twentyeight I was. She twentythree.
When we left Lombard street west something changed.
Could never like it again after Rudy.
Can’t bring back time. Like holding water in your hand.
Would you go back to then? Just beginning then. Would you?
—James Joyce, Ulysses
cf. photograph by Tim Gouw via Unsplash and Northeastern University Course Catalog, 1980-82
I see you
cf. Thomas A. Morgan, “After The Dip” (edit) (ca. 1904)
And all those acts which Deity supreme
Doth ease its heart of love in.—I am gone
Away from my own bosom: I have left
My strong identity, my real self,
Somewhere between the throne, and where I sit
Here on this spot of earth. Search, Thea, search!
Open thine eyes eterne, and sphere them round
Upon all space: space starr’d, and lorn of light;
Space region’d with life-air; and barren void;
Spaces of fire, and all the yawn of hell.—
Search, Thea, search! and tell me, if thou seest
A certain shape or shadow, making way
With wings or chariot fierce to repossess
A heaven he lost erewhile…
—John Keats, Hyperion
cf. LIFE, 1937
The Finnish Museum of Photography, “At Hotel Aulanko’s Cafe Terrace” (ca. 1950’s)
Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe…
—The Waste Land
Read my palm and tell me why do lovers come and go…
cf. Marie Denise Villers, “Marie Joséphine Charlotte du Val d’Ognes” (1801) and
video by Electric_Cat via Pixabay
cf. Library Company of Philadelphia, “Frankford Creek and Vicinity, Winter” (ca. late 19th century) and
photograph by Peter Gonzalez via Unsplash
Ashes denote that fire was;
Respect the grayest pile
For the departed creature’s sake
That hovered there awhile.
Fire exists the first in light,
And then consolidates,—
Only the chemist can disclose
Into what carbonates.
cf. unidentified photographer, “Head-and-shoulders profile portrait of young woman…” (ca. 1900)
cf. photograph by Will Wilson (edited) via Unsplash
“Trust thyself: every heart vibrates to that iron string…”
cf. LIFE, 1964
Mrs. Dalloway said she would buy the flowers herself…
–Virginia Woolf, Mrs. Dalloway
cf. MPO Productions, “Design for Dreaming” (1956) (Digital Edit)
David Falconer, “Reading and Studying by Kerosene Lamps…” (1973)
The gaslight shone yellow through the frosted transom above the door of Number 31. Gordon took out his key and fished about in the keyhole — in that kind of house the key never quite fits the lock. The darkish little hallway — in reality it was only a passage — smelt of dishwater, cabbage, rag mats, and bedroom slops. Gordon glanced at the japanned tray on the hall-stand. No letters, of course. He had told himself not to hope for a letter, and nevertheless had continued to hope. A stale feeling, not quite a pain, settled upon his breast. Rosemary might have written! It was four days now since she had written…
—George Orwell, Keep the Aspidistra Flying
cf. Corson Hirschfeld, “Sporting Life” (Cincinnati Magazine, 1977)
Morris looked vaguely round him, and gave a deep sigh. “Well, I was in hopes that we might still have been friends.”
“I meant to tell you, by my aunt, in answer to your message — if you had waited for an answer — that it was unnecessary for you to come in that hope.”
—Henry James, Washington Square
“You weren’t so nice to me last night.”
“How could it have mattered then?”
Silence for a moment. Then:
“However — I want to see you.”
“I want to see you, too.”
“Suppose I don’t go to Southampton, and come into town this afternoon?”
“No — I don’t think this afternoon.”
“It’s impossible this afternoon. Various ——”
We talked like that for a while, and then abruptly we weren’t talking any longer. I don’t know which of us hung up with a sharp click, but I know I didn’t care. I couldn’t have talked to her across a tea-table that day if I never talked to her again in this world.
—F. Scott Fitzgerald, The Great Gatsby
Left: H.E. Peck, “Cheer Up Lassie” (ca. 1908);
Right: H. E. Peck, “On Norway’s Coast” (ca. 1908)
The largest fire ever known
Occurs each afternoon,
Discovered is without surprise,
Proceeds without concern:
Consumes, and no report to men…
cf. J. Craig Annan, “Au Jardin” (ca. 1899)
A crowd will gather, and not know it walks the very street
Whereon a thing once walked that seemed a burning cloud.
—Yeats, Fallen Majesty (excerpt)
She’s a cloud
That hangs above my world…
Photograph by Les Anderson via Unsplash
April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire…
—T.S. Eliot, The Waste Land
Tookapic, “Woman Wearing Jacket Sitting On Concrete During Night Time” (via pexels.com)
Hyperion arose, and on the stars
Lifted his curved lids, and kept them wide
Until it ceas’d; and still he kept them wide:
And still they were the same bright, patient stars.
Then with a slow incline of his broad breast,
Like to a diver in the pearly seas,
Forward he stoop’d over the airy shore,
And plung’d all noiseless into the deep night.
—Keats, Hyperion (excerpt)
O My Luve’s like a red, red rose
That’s newly sprung in June…
Trevor T. White, “The Alley” (ca. 1938)
Transit Of Venus
half in sun
half in shadow
the last time I saw you
cf. photograph by Alice Moore via Unsplash
“You have a soul in you of rare quality, an artist’s nature; never let it starve for lack of what it needs.”
—Proust, Swann’s Way
Alfred Stieglitz, “A Snapshot, Paris” (1911)
Cincinnati Magazine, 1971
The barge she sat in, like a burnish’d throne,
Burn’d on the water: the poop was beaten gold;
Purple the sails, and so perfumed that
The winds were love-sick with them; the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes. For her own person,
It beggar’d all description: she did lie
In her pavilion–cloth-of-gold of tissue–
O’er-picturing that Venus where we see
The fancy outwork nature: on each side her
Stood pretty dimpled boys, like smiling Cupids,
With divers-colour’d fans, whose wind did seem
To glow the delicate cheeks which they did cool,
And what they undid did.
—Antony and Cleopatra
(Comes towards her and leans over the back of a chair.)
Are you fretting yourself, ma’am, about anything?
Don’t be. He was always like that, meandering off by himself somewhere. He is a curious bird, Master Richard, and always was. Sure there isn’t a turn in him I don’t know. Are you fretting now maybe because he does be in there (pointing to the study) half the night at his books? Leave him alone. He’ll come back to you again. Sure he thinks the sun shines out of your face, ma’am.
—James Joyce, Exiles
You got that radioaction
Brighter than a sunny day…
cf. Childe Hassam in Joseph Pennell, “Modern Illustration” (1895)
King Kong (1976)
Dave Thomas, “Girl With The Fishbowl” (LIFE, 1970)
How like a winter hath my absence been
From thee, the pleasure of the fleeting year!
What freezings have I felt, what dark days seen!
What old December’s bareness everywhere!
And yet this time remov’d was summer’s time,
The teeming autumn, big with rich increase,
Bearing the wanton burthen of the prime,
Like widow’d wombs after their lords’ decease:
Yet this abundant issue seem’d to me
But hope of orphans and unfather’d fruit;
For summer and his pleasures wait on thee,
And thou away, the very birds are mute;
Or if they sing, ’tis with so dull a cheer
That leaves look pale, dreading the winter’s near.
–Shakespeare, Sonnet 97: “How like a winter hath my absence been from thee”
Library of Congress Prints and Photographs Division, “Playing baseball…” (ca. 1910)
cf. Ide Collars Advertisement (ca. 1922)
“Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.”
Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table.
“You always look so cool,” she repeated.
—F. Scott Fitzgerald, The Great Gatsby
Royal Typewriter Advertisement (ca. 1922)
Bell Telephone Magazine, 1973
cf. Ladies’ Home Journal, 1953
cf. Georges Seurat, A Sunday on La Grande Jatte — 1884 (1884/86) and LIFE (1965)
cf. photograph by Yoann Boyer via Unsplash
“…the situation of the man of genius who, in some accursed hour of his youth, has bartered away the fondest vision of that youth and lives ever afterwards in the shadow of the bitterness of the regret…the fancy of his recovering a little of the lost joy, of the Dead Self, in his intercourse with some person, some woman, who knows what that self was, in whom it still lives a little.”
—The Notebooks of Henry James
Zaida Ben-Yusuf, “Don’t you see that you are making me a great deal of trouble?” (1902)
No shame but mine: I must, forsooth, be forced
To give my hand opposed against my heart
Unto a mad-brain rudesby full of spleen;
Who woo’d in haste and means to wed at leisure.
I told you, I, he was a frantic fool,
Hiding his bitter jests in blunt behavior:
And, to be noted for a merry man,
He’ll woo a thousand, ‘point the day of marriage,
Make feasts, invite friends, and proclaim the banns;
Yet never means to wed where he hath woo’d.
Now must the world point at poor Katharina,
And say, “Lo, there is mad Petruchio’s wife,
If it would please him come and marry her!”
—The Taming of the Shrew
Childe Hassam, “The Colonial Table” (1915)
Wild nights – Wild nights!
Were I with thee
Wild nights should be
Futile – the winds –
To a Heart in port –
Done with the Compass –
Done with the Chart!
Rowing in Eden –
Ah – the Sea!
Might I but moor – tonight –
cf. Heinrich Krenes, Vor dem Pantheon (1908)
Had we but world enough and time,
This coyness, lady, were no crime…
–Andrew Marvell, To His Coy Mistress