O! for my sake do you with Fortune chide

O! FOR my sake do you with Fortune chide
The guilty goddess of my harmful deeds,
That did not better for my life provide
Than public means which public manners breeds.
Thence comes it that my name receives a brand,
And almost thence my nature is subdu’d
To what it works in, like the dyer’s hand:
Pity me, then, and wish I were renew’d;
Whilst, like a willing patient, I will drink
Potions of eisel ’gainst my strong infection;
No bitterness that I will bitter think,
Nor double penance, to correct correction.
Pity me, then, dear friend, and I assure ye
Even that your pity is enough to cure me.

— Sonnet CXI

Work To Do

I know not “seems.”

From childhood’s hour I have not been
As others were—I have not seen
As others saw—I could not bring
My passions from a common spring—
From the same source I have not taken
My sorrow—I could not awaken
My heart to joy at the same tone—

— Edgar Allan Poe, “Alone” (excerpt)

Outsider

Chapter 8 (Continued)

cf. Television Commercial

“You weren’t so nice to me last night.”

“How could it have mattered then?”

Silence for a moment. Then:

“However — I want to see you.”

“I want to see you, too.”

“Suppose I don’t go to Southampton, and come into town this afternoon?”

“No — I don’t think this afternoon.”

“Very well.”

“It’s impossible this afternoon. Various ——”

We talked like that for a while, and then abruptly we weren’t talking any longer. I don’t know which of us hung up with a sharp click, but I know I didn’t care. I couldn’t have talked to her across a tea-table that day if I never talked to her again in this world.

—F. Scott Fitzgerald, The Great Gatsby

Call out the volunteers ’cause my heart’s a flambé

Harry Wayne McMahan, “The Television Commercial” (1954)

I gotta time it right so it’s warm when you get it
Turn up the heat just a little bit higher
It was a good idea but I think I overdid it
I can’t reach the oven and the kitchen’s on fire…

 

“Burn Three Times” – Utopia

The Love Song of J. Alfred Prufrock

Television Commercials (1950s-1960s)

Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.

I do not think that they will sing to me.

I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.

We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.

–T.S. Eliot, The Love Song of J. Alfred Prufrock (excerpt)

Well, I’m a bum in the sun and I’m having fun
And I know you know I got no special plans
All the bills are paid
I got it made in the shade
And all I need is the woman…

“Cheering” is a paltry description…

cf. LIFE, 1957 and Skyline New York : Dudley Pictures Corporation

Each weekend I traveled the fifty-odd miles from Glacial Falls to Watertown, where I spent Friday night and all day Saturday in some sustained whisky drinking, tapering off Sundays with a few bottles of beer at The Parrot, eyes fixed on the television screen, cheering for my team. “Cheering” is a paltry description. The Giants were my delight, my folly, my anodyne…

—Frederick Exley, A Fan’s Notes