photograph by Scott Webb via Unsplash
They have no song, the sedges dry,
And still they sing.
It is within my breast they sing,
As I pass by.
Within my breast they touch a string,
They wake a sigh.
There is but sound of sedges dry;
In me they sing.
— George Meredith
photograph by John Moeses Bauan via Unsplash
You smiled, you spoke, and I believed,
By every word and smile deceived.
Another man would hope no more;
Nor hope I what I hoped before:
But let not this last wish be vain;
Deceive, deceive me once again!
— Walter Savage Landor
Paris, 1984 by John Sapiro
No donkey can cart
what weighs down your heart.
— Anonymous, East African Proverb (Tr. A. M. Juster)
“Edward?” said Abilene.
Yes, said Edward.
“Edward,” she said again, certain this time.
Yes, said Edward, yes, yes, yes.
It’s me.
— Kate DiCamillo, The miraculous journey of Edward Tulane
All my instincts, they return
The grand façade, so soon will burn
Without a noise, without my pride
I reach out from the inside…
cf. photograph by Joanna Nix-Walkup via Unsplash
turning point II
where did you park your car?
— J.S.
Texas State University Flickr Commons, Unidentified Negatives (1963)
I CANNOT live with you,
It would be life,
And life is over there
Behind the shelfThe sexton keeps the key to,
Putting up
Our life, his porcelain,
Like a cup…So we must keep apart,
You there, I here,
With just the door ajar
That oceans are,
And prayer,
And that pale sustenance,
Despair!
— Emily Dickinson
Carol Highsmith, “Family Day on the grounds of the Alabama River Pulp Company” (2010)
Long neglect has worn away
Half the sweet enchanting smile;
Time has turned the bloom to gray;
Mold and damp the face defile.But that lock of silky hair,
Still beneath the picture twined,
Tells what once those features were,
Paints their image on the mind.Fair the hand that traced that line,
“Dearest, ever deem me true”;
Swiftly flew the fingers fine
When the pen that motto drew.
— Emily Brontë
photograph by Scott Broome via Unsplash
Aristotle and Pythias
seems madam?
nay —
it is
I know not seems
— J.S.
photograph by Artem Maltsev via Unsplash
SO, we’ll go no more a-roving
So late into the night,
Though the heart be still as loving,
And the moon be still as bright.For the sword outwears its sheath,
And the soul wears out the breast,
And the heart must pause to breathe,
And love itself have rest.Though the night was made for loving,
And the day returns too soon,
Yet we’ll go no more a-roving
By the light of the moon.
— Byron
Maclean’s Magazine (1966)
SHALL I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm’d;
And every fair from fair sometime declines,
By chance, or nature’s changing course untrimm’d;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow’st,
Nor shall death brag thou wander’st in his shade,
When in eternal lines to time thou grow’st;
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.
— Sonnet XVIII
photograph by Tim Foster via Unsplash
Carthago adhuc vivit
perfume nightsky
firelight
bells in the distant temple
tower
winds on the water
the ghosts of Hannibal
you read to me of Hanno the Navigator
on the sands of hours
and held me spellbound
— J.S.
We’ll Never Have to Say Goodbye Again
photograph by pasja1000 via Pixabay
With the love of the storm he burns,
He sings, he laughs, well I know how,
But forgets when he returns
As I shall not forget her ‘Go now’.
— Edward Thomas
photograph by Oswald Elsaboath via Unsplash
instructions
no user serviceable parts
broken hearts
the fault, dear Brutus
is ever Descartes’
— J.S.
cf. photograph by Ana Markovych via Unsplash
I so liked Spring last year
Because you were here; –
The thrushes too –
Because it was these you so liked to hear –
I so liked you.This year’s a different thing, –
I’ll not think of you.
But I’ll like the Spring because it is simply Spring
As the thrushes do.
— Charlotte Mew
Chris Clogg, “Busy Wall” (2010) (edit)
BENEDICK:
Then is courtesy a turncoat. But it is certain
I am loved of all ladies, only you excepted; and
I would I could find in my heart that I had not a
hard heart, for truly I love none.BEATRICE:
A dear happiness to women. They would
else have been troubled with a pernicious suitor. I
thank God and my cold blood I am of your humor
for that. I had rather hear my dog bark at a crow
than a man swear he loves me.
— Much Ado About Nothing
cf. video by cottonbro via pexels
LUCENTIO:
Gramercies, Tranio, well dost thou advise.
If, Biondello, thou wert come ashore,
We could at once put us in readiness
And take a lodging fit to entertain
Such friends as time in Padua shall beget.[Enter Baptista with his two daughters, Katherine and
Bianca; Gremio, a pantaloon, and Hortensio, suitors
to Bianca.]But stay awhile! What company is this?
TRANIO:
Master, some show to welcome us to town.
— The Taming of the Shrew
photograph by Christian Lue via Unsplash
SINCE there ’s no help, Come, let us kiss and part!
Nay, I have done. You get no more of me!
And I am glad, yea, glad, with all my heart,
That thus so cleanly, I my self can free.
Shake hands for ever! Cancel all our vows!
And when we meet at any time again,
Be it not seen in either of our brows,
That we one jot of former love retain!
Now at the last gasp of LOVE’s latest breath.
When his pulse failing, Passion speechless lies;
When Faith is kneeling by his bed of death,
And Innocence is closing up his eyes:
Now, if thou wouldst! when all have given him over,
From death to life, thou might’st him yet recover!
— Michael Drayton
photograph by Priscilla Du Preez via Unsplash
Do you still remember: falling stars,
how they leapt slantwise through the sky
like horses over suddenly held-out hurdles
of our wishes—did we have so many?—
for stars, innumerable, leapt everywhere;
almost every gaze upward became
wedded to the swift hazard of their play,
and our heart felt like a single thing
beneath that vast disintegration of their brilliance—
and was whole, as if it would survive them!
— Rilke
photograph by Yerlan Sadvakassov via Unsplash
WHY didst thou promise such a beauteous day
And make me travel forth without my cloak,
To let base clouds o’ertake me in my way,
Hiding thy bravery in their rotten smoke?
’Tis not enough that through the cloud thou break,
To dry the rain on my storm-beaten face,
For no man well of such a salve can speak
That heals the wound and cures not the disgrace:
Nor can thy shame give physic to my grief;
Though thou repent, yet I have still the loss:
The offender’s sorrow lends but weak relief
To him that bears the strong offence’s cross.
Ah! but those tears are pearl which thy love sheds,
And they are rich and ransom all ill deeds.
— Sonnet XXXIV
photograph by Jonatán Becerra via Unsplash
THAT is solemn we have ended,—
Be it but a play,
Or a glee among the garrets,
Or a holiday…
— Emily Dickinson
Eastman Kodak Company, “How to make good movies…” (1938)
The many faces of defeat
Invite you home:
They offer you such silence
As has no truck with time.
The face of horrid purpose,
The train of circumstance
There, the door is closed upon;
They shall no more advance.
Yet see in the uncertain sky
Above your uncertain station–
The sign she left you, passing,
Persists in affirmation.
— Ray Smith, “The Sign”
photograph by Abigail via Unsplash
FAREWELL! thou art too dear for my possessing
And like enough thou know’st thy estimate:
The charter of thy worth gives thee releasing;
My bonds in thee are all determinate.
For how do I hold thee but by thy granting?
And for that riches where is my deserving?
The cause of this fair gift in me is wanting,
And so my patent back again is swerving.
Thyself thou gav’st, thy own worth then not knowing,
Or me, to whom thou gav’st it, else mistaking;
So thy great gift, upon misprision growing,
Comes home again, on better judgment making.
Thus have I had thee, as a dream doth flatter,
In sleep a king, but, waking, no such matter.
— Sonnet LXXXVII
Maclean’s Magazine (1967)
Unto the boundless Ocean of thy beauty
Runs this poor river, charged with streams of zeal:
Returning thee the tribute of my duty,
Which here my love, my youth, my plaints reveal.
Here I unclasp the book of my charged soul,
Where I have cast th’accounts of all my care:
Here have I summed my sighs, here I enroll
How they were spent for thee; look what they are.
Look on the dear expenses of my youth,
And see how just I reckon with thine eyes:
Examine well thy beauty with my truth,
And cross my cares ere greater sum arise.
Read it sweet maid, though it be done but slightly;
Who can show all his love, doth love but lightly.
— Samuel Daniel, “Delia 1: Unto the boundless Ocean of thy beauty”
Northeastern University Course Catalog (1974-75)
WHEN you are old and gray and full of sleep
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;How many loved your moments of glad grace,
And loved your beauty with love false or true;
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face.And bending down beside the glowing bars,
Murmur, a little sadly, how love fled
And paced upon the mountains overhead,
And hid his face amid a crowd of stars.
— Yeats
cf. photographs by Caseen Kyle Registos via Unsplash and Matheus Bertelli via Pexels (edited digital collage)
WEARY with toil, I haste me to my bed
The dear repose for limbs with travel tired;
But then begins a journey in my head
To work my mind, when body’s work’s expir’d:
For then my thoughts—from far where I abide—
Intend a zealous pilgrimage to thee,
And keep my drooping eyelids open wide,
Looking on darkness which the blind do see:
Save that my soul’s imaginary sight
Presents thy shadow to my sightless view,
Which, like a jewel hung in ghastly night,
Makes black night beauteous and her old face new.
Lo! thus, by day my limbs, by night my mind,
For thee, and for myself no quiet find.
— Sonnet XXVII
photograph by Harold Wijnholds via Unsplash
WILD nights! Wild nights!
Were I with thee,
Wild nights should be
Our luxury!Futile the winds
To a heart in port,—
Done with the compass,
Done with the chart.Rowing in Eden!
Ah! the sea!
Might I but moor
To-night in thee!
— Emily Dickinson
photograph by Leslie Jones via Unsplash
Green apples dancing in a wash of sun—
Ripples of sense and fun—
A net of light that wavers as it weaves
The sunlight on the chattering leaves;
The half-dazed sound of feet,
And carriages that ripple in the heat.
The parasols like shadows of the sun
Cast wavering shades that run
Across the laughing faces and across
Hair with a bird-bright gloss.
The swinging greenery casts shadows dark,
Hides me that I may mark
How, buzzing in this dazzling mesh, my soul
Seems hardening it to flesh, and one bright whole.
O sudden feathers have a flashing sheen!
The sun’s swift javelin
The bird-songs seem, that through the dark leaves pass;
And life itself is but a flashing glass.
— Edith Sitwell
photograph by Matthew Hamilton via Unsplash
O ME! what eyes hath Love put in my head
Which have no correspondence with true sight;
Or, if they have, where is my judgment fled,
That censures falsely what they see aright?
If that be fair whereon my false eyes dote,
What means the world to say it is not so?
If it be not, then love doth well denote
Love’s eye is not so true as all men’s: no.
How can it? O! how can Love’s eye be true,
That is so vex’d with watching and with tears?
No marvel then, though I mistake my view;
The sun itself sees not till heaven clears.
O cunning Love! with tears thou keep’st me blind,
Lest eyes well-seeing thy foul faults should find.
— Sonnet CXLVIII
cf. photograph by Eliott Reyna via Unsplash
The Teenage (Romantic)
arch ironist
cynical
sarcasm
world-weary
wag
how loud
his heart
reverberated
— J.S.
Northeastern University Course Catalog (1985-86)
hearing your voice
reminds me
one summer
so long ago
was that me
as the radio played
nothing stands between love and you
— J.S.
cf. photograph by Ivan Samkov via Pexels
He talked a lot about the past and I gathered that he wanted to recover something, some idea of himself perhaps, that had gone into loving Daisy. His life had been confused and disordered since then, but if he could once return to a certain starting place and go over it all slowly, he could find out what that thing was…
— The Great Gatsby
Image by Gerd Altmann via Pixabay
And next day she actually did know the name, and uttered it the moment the glass door slammed. Frau Chauchat’s name was Clavdia.
Hans Castorp did not grasp it at first. He had to have her repeat the name, even to spell it, before he understood. Then he pronounced it twice or thrice, turning his bloodshot eyes in Frau Chauchat’s direction, in order, as it were, to try if it suited.
“Clavdia,” he said. “ Yes, that is probably it; it fits her quite well.” He could not hide his pleasure in the degree of intimacy thus achieved, and from now on referred always to Frau Chauchat as Clavdia…
— The Magic Mountain
Northeastern University Course Catalog (1982-83)
LSAT
10 people in a canoe
each is wearing a different colored hat
how far away is the man in the blue hat
from you?
— J.S.
Photograph by Daniel Monteiro via Unsplash
Ceci n’est pas une intersection.
In the warm twilight
I am translated
refracted
at the red light
the song on the radio
preternatural
holding, as ‘twere,
the mirror up to nature
and unravels my heart
— J.S.
photograph by Inga Seliverstova via Pexels
He came back from France when Tom and Daisy were still on their wedding trip, and made a miserable but irresistible journey to Louisville on the last of his army pay. He stayed there a week, walking the streets where their footsteps had clicked together through the November night and revisiting the out-of-the-way places to which they had driven in her white car. Just as Daisy’s house had always seemed to him more mysterious and gay than other houses so his idea of the city itself, even though she was gone from it, was pervaded with a melancholy beauty.
He left feeling that if he had searched harder he might have found her—that he was leaving her behind…
— The Great Gatsby
photograph by Leon Bublitz via Unsplash
Life Savers
the train rolled around the bend
Life Savers refracting in the glass
autumn aurorae
I ran all the way down the station stop
my heart in my head
and said
I love you
— J.S.
photograph by Ahmad Jajuli via Unsplash
Once upon a time a line saw itself
clear to its end. I have seen the shape
of happiness. (y=mx+b)
I am holding it. It is your hand.
— TC Tolbert, “What Space Faith Can Occupy”
cf. video by Alena Darmel via Pexels
When youth’s bright sun has once declined
And bid his smiling day expire,
Mem’ry, thy torch steals up behind,
And sets thy hidden stars on fire.
— George Moses Horton, Memory
photograph by Gift Habeshaw via Unsplash
But Hans Castorp was convinced there was another and private reason why Joachim withdrew so early; he had known it since the time he saw his cousin’s face take on the mottled pallor, and his mouth assume the pathetic twist. He perfectly understood. For Marusja was almost always there in the evening — laughter-loving Marusja, with the little ruby on her charming hand, the handkerchief with the orange scent, and the swelling bosom, tainted within — Hans Castorp comprehended that it was her presence which drove Joachim away, precisely because it so strongly, so fearfully drew him toward her. Was Joachim too “immured” — and even worse off than himself, in that he had five times a day to sit at the same table with Marusja and her orange-scented handkerchief? However that might be, it was clear that Joachim was preoccupied with his own troubles; the thought of him could afford his cousin no mental support. That he took refuge in daily flight was a credit to him; but that he had to flee was anything but reassuring to Hans Castorp, who even began to feel that Joachim’s good example of faithful service of the cure and the initiation which he owed to his cousin’s experience might have also their bad side.
— The Magic Mountain (Tr. Lowe-Porter)
photograph by SUHAIL RA via Unsplash
tempest
in another life
time unwound
I would see
your ordained eyes
O brave new world,
That has you in’t!
— J.S.
cf. yearbook page by Bruce Detorres via flickr
“And she doesn’t understand,” he said. “She used to be able to understand. We’d sit for hours—”
He broke off and began to walk up and down a desolate path of fruit rinds and discarded favors and crushed flowers.
— The Great Gatsby
Northeastern University, Course Catalog (1980-81)
When I came opposite her house that morning her white roadster was beside the curb, and she was sitting in it with a lieutenant I had never seen before. They were so engrossed in each other that she didn’t see me until I was five feet away…
— The Great Gatsby
cf. photograph by cottonbro via Pexels (edited)
“Yes, let’s,” Hans Castorp repeated, mechanically. They spoke in low tones, covered by the music. “Let us sit here, and look on, as though in a dream. For it is like a dream to me, that we are sitting like this — comme un reve singulierement profond, car il faut dormir tres profondement pour rever comme cela. Je veux dire — c’est un reve bien connu, reve de tout temps, long, eternel, oui, etre assis pres de toi comme a present…”
— The Magic Mountain
photograph by cottonbro via Pexels
“You are hurt? You must not be. Let us put those feelings away, send them to Jericho. Do you agree? I have been wounded too sometimes — I will confess it, since we are sitting together like this. I have been angry with your phlegm, and your being such friends with him, on account of your egoistic craving for experience. Yet I was glad too, and grateful for the respect you paid him. You were loyal; if you were a bit impertinent too, after all I could make allowance for that.”
“Very kind of you.”
She looked at him. “You are incorrigible, it seems. And certainly I can’t quite tell how much esprit you have — but deep you are, a deep young man. Well, very good, one can do with it, and be friends. Shall we be friends, shall we make a league — not against but for him? Will you give me your hand on it? I am often frightened. — Sometimes I am afraid of the solitude with him — the inward solitude, tu sais — he is — frightening; sometimes I am afraid something may happen to him — it makes me shudder. — I should be glad to feel I had someone beside me. Enfin — if you care to know — that was why I came back here with him — chez toi…”
— The Magic Mountain (Tr. Lowe-Porter)
photograph by El Salanzo via Unsplash
Involuntarily I glanced seaward—and distinguished nothing except a single green light, minute and far away, that might have been the end of a dock. When I looked once more for Gatsby he had vanished…
— The Great Gatsby
You Took The Words Right Out of My Mouth (Hot Summer Night)
cf. photographs by Annie Spratt and Hector Reyes via Unsplash (edited)
I went in—after making every possible noise in the kitchen short of pushing over the stove—but I don’t believe they heard a sound. They were sitting at either end of the couch looking at each other as if some question had been asked or was in the air, and every vestige of embarrassment was gone. Daisy’s face was smeared with tears and when I came in she jumped up and began wiping at it with her handkerchief before a mirror. But there was a change in Gatsby that was simply confounding. He literally glowed; without a word or a gesture of exultation a new well-being radiated from him and filled the little room.
“Oh, hello, old sport,” he said, as if he hadn’t seen me for years. I thought for a moment he was going to shake hands.
— The Great Gatsby
cf. video by Tima Miroshnichenko via Pexels (edited)
“I have been up here a long time, Mynheer Peeperkorn, years. How long I hardly know myself, but it has been years of my life. My cousin, to visit whom I came up, in the first instance, was a soldier, an upright and honourable soul, but that was no help to him — he died, and left me, and I remained here alone. I was no soldier, but a civilian, I had a profession, as you may have heard, a good, two-fisted job, which is even supposed to do its share in drawing together the nations of the earth — but somehow it did not draw me. I admit this freely; but the reasons for it I cannot describe otherwise than to say that they are veiled in obscurity, the same obscurity that envelops the origin of my feeling for Madame your mistress — I call her that expressly to show that I am not thinking of undermining the situation as it exists — my feeling for Clavdia Chauchat, and my intimate sense of her being, which I have had since the first moment her eyes met mine and bewitched me, enchanted me, you understand, beyond all reason. For love of her, in defiance of Herr Settembrini, I declared myself for the principle of unreason, the spirituel principle of disease, under whose aegis I had already, in reality, stood for a long time back; and I remained up here, I no longer know precisely how long. I have forgotten, broken with, everything, my relatives, my calling, all my ideas of life. When Clavdia went away, I waited here for her return, so that now I am wholly lost to life down below, and dead in the eyes of my friends. That is what I meant when I spoke of my destiny, and said there might be some justice in a complaint over my present state…”
— Thomas Mann, The Magic Mountain (Tr. Lowe-Porter)
photograph by Ian Dooley via Unsplash
I remember the gleams and glooms that dart
Across the schoolboy’s brain;
The song and the silence in the heart,
That in part are prophecies, and in part
Are longings wild and vain.
— Longfellow, “My Lost Youth”
photograph by Kate Cox via Pixabay
The Lover beseecheth his Mistress not to forget his steadfast Faith and true Intent
FORGET not yet the tried intent
Of such a truth as I have meant;
My great travail so gladly spent,
Forget not yet!
Forget not yet when first began
The weary life ye know, since whan
The suit, the service none tell can;
Forget not yet!
Forget not yet the great assays,
The cruel wrong, the scornful ways,
The painful patience in delays,
Forget not yet!
Forget not! oh! forget not this,
How long ago hath been, and is
The mind that never meant amiss,
Forget not yet!
Forget not then thine own approv’d,
The which so long hath thee so lov’d,
Whose steadfast faith yet never mov’d:
Forget not this!
— Sir Thomas Wyatt
Brief Encounter (1945)
GIN a body meet a body
Comin’ through the rye,
Gin a body kiss a body,
Need a body cry?
Every lassie has her laddie,—
Ne’er a ane hae I;
Yet a’ the lads they smile at me
When comin’ through the rye.
Amang the train there is a swain
I dearly lo’e mysel’;
But whaur his hame, or what his name,
I dinna care to tell.Gin a body meet a body
Comin’ frae the town,
Gin a body greet a body,
Need a body frown?
Every lassie has her laddie,—
Ne’er a ane hae I;
Yet a’ the lads they smile at me
When comin’ through the rye.
Amang the train there is a swain
I dearly lo’e mysel’;
But whaur his hame, or what his name,
I dinna care to tell.
— Robert Burns
Why Does It Have To Be Wrong Or Right?
photograph by Dollar Gill via Unsplash
SOULS of Poets dead and gone,
What Elysium have ye known,
Happy field or mossy cavern,
Choicer than the Mermaid Tavern?
Have ye tippled drink more fine
Than mine host’s Canary wine?
Or are fruits of Paradise
Sweeter than those dainty pies
Of venison? O generous food!
Drest as though bold Robin Hood
Would, with his maid Marian,
Sup and bowse from horn and can.
— Keats
cf. photograph by cottonbro via Pexels (edited collage)
Yet Who complains? My heart and I?
In this abundant earth no doubt
Is little room for things worn out:
Disdain them, break them, throw them by!
And if before the days grew rough
We once were lov’d, us’d,—well enough,
I think, we ’ve far’d, my heart and I.
— Elizabeth Barrett Browning
photograph by Anthony Tran via Unsplash
Some disturbing news was waiting for him as he stopped at the Dilkes’ the night of August 18 on his way home to Well Walk, looking, said Mrs. Dilke, “as brown and as shabby as you can imagine, scarcely any shoes left, his jacket all torn at the back, a fur cap, a great plaid, and his knapsack.” He quickly guessed that further trouble had arisen. But he sat back in the unaccustomed comfort of the cushioned chair (as Joseph Severn later heard), looked up with a tired smile, and quoted from A Midsummer Night’s Dream, “Bless thee, Bottom! bless thee! thou art translated.”
— Walter Jackson Bate, John Keats
photograph by Olya Kobruseva via Pexels
A robin redbreast in a cage
Puts all Heaven in a rage.
— Blake
cf. Prelinger Archives, “Home Movie” (ca. 1963)
THE SENSE of the world is short,—
Long and various the report,—
To love and be beloved;
Men and gods have not outlearned it;
And, how oft soe’er they ’ve turned it,
Not to be improved.
— Emerson
cf. Delphin Enjolras, “The Fireplace” and The Best Fireplace Video
THE rain set early in to-night,
The sullen wind was soon awake,
It tore the elm-tops down for spite,
And did its worst to vex the lake:
I listen’d with heart fit to break.
When glided in Porphyria; straight
She shut the cold out and the storm,
And kneel’d and made the cheerless grate
Blaze up, and all the cottage warm;
Which done, she rose, and from her form
Withdrew the dripping cloak and shawl,
And laid her soil’d gloves by, untied
Her hat and let the damp hair fall,
And, last, she sat down by my side
And call’d me.
— Robert Browning
cf. photograph by The New York Public Library via Unsplash
I have whispered thee in thy solitudes
Of our loves in Phrygia,
The far ecstasy of burning noons
When the fragile pipes
Ceased in the cypress shade,
And the brown fingers of the shepherd
Moved over slim shoulders;
And only the cicada sang.I have told thee of the hills
And the lisp of reeds
And the sun upon thy breasts,And thou hearest me not,
Pótuia, pótuia
Thou hearest me not.
— Richard Aldington
I was, therefore, dying for love without an object…
— Rousseau, Confessions
So, purposing each moment to retire,
She linger’d still. Meantime, across the moors,
Had come young Porphyro, with heart on fire
For Madeline. Beside the portal doors,
Buttress’d from moonlight, stands he, and implores
All saints to give him sight of Madeline,
But for one moment in the tedious hours,
That he might gaze and worship all unseen;
Perchance speak, kneel, touch, kiss—in sooth such things have been.
— Keats
photograph by Andrea Riondino via Unsplash
THAT time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruin’d choirs, where late the sweet birds sang.
Aalto University Commons, “Students in laboratory” (ca. 1960s)
These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man’s eye:
But oft, in lonely rooms, and ’mid the din
Of towns and cities, I have owed to them
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind,
With tranquil restoration:—feelings too
Of unremembered pleasure: such, perhaps,
As have no slight or trivial influence
On that best portion of a good man’s life
— Wordsworth
John Sapiro 