W. T. Starr, “The Idler” (ca. 1916)
A poor torn heart, a tattered heart,
That sat it down to rest,
Nor noticed that the ebbing day
Flowed silver to the west,
Nor noticed night did soft descend
Nor constellation burn,
Intent upon the vision
Of latitudes unknown…
— Emily Dickinson
cf. Carleton H. Graves, “A game of chess” (detail) (ca. 1905) (edited)
the car passed under
the lights on the overpass
your voice traced
a rush of autumn
at the restaurant
across the years
Business Screen Magazine, 1973
Costly thy habit as thy purse can buy,
But not express’d in fancy; rich, not gaudy;
For the apparel oft proclaims the man…
▶ I Got Ants In My Pants (And I Want To Dance) (Remix) by James Brown
Photograph by John Loengard from “The Magic Of A Summer House” (LIFE Magazine, 1969)
I really miss you
because I need to ask
where do I go
cf. photograph by photosforyou via Pixabay
This is the very worst hour of the day. Vitality. Dull, gloomy: hate this hour. Feel as if I had been eaten and spewed.
— Joyce, Ulysses
cf. Albert-Ernest Carrier-Belleuse, Michelangelo (modeled before 1883) and
photograph by Nathan Fertig via Unsplash (edited collage)
Lenehan walked on again. He lifted his yachtingcap and scratched his hindhead rapidly. He glanced sideways in the sunlight at M’Coy.
—He’s a cultured allroundman, Bloom is, he said seriously. He’s not one of your common or garden … you know … There’s a touch of the artist about old Bloom.
Make Your Own Kind Of Music
Mrs. W. M. Gatch, “Waiting for the train” (ca. 1893)
Midnight Train To Georgia by Gladys Knight & The Pips
Photograph by Ståle Grut via Unsplash
Life is a crucible. We are thrown into it, and tried.
— Edwin Hubbell Chapin, “Living Words”
cf. photograph by Andrew Neel via Unsplash (edited)
Yet I argue not
Against Heaven’s hand or will, nor bate a jot
Of heart or hope, but still bear up and steer
— Milton, “To the Same”
Educational Screen And AudioVisual Guide, 1959
I SING the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the
— Leaves of Grass
Blow My Fuse by Kix
cf. photograph by guvo59 via Pixabay (edit) and video by McZerrill via Pixabay (edited collage)
The carriage swerved from the tramtrack to the smoother road past Watery lane. Mr Bloom at gaze saw a lithe young man, clad in mourning, a wide hat.
—There’s a friend of yours gone by, Dedalus, he said.
—Who is that?
—Your son and heir.
—Where is he? Mr Dedalus said, stretching over across.
The carriage, passing the open drains and mounds of rippedup roadway before the tenement houses, lurched round the corner and, swerving back to the tramtrack, rolled on noisily with chattering wheels. Mr Dedalus fell back, saying:
—Was that Mulligan cad with him? His fidus Achates!
—No, Mr Bloom said. He was alone…
Way To Blue
Educational Screen and Audiovisual Guide Magazine, 1961
you held me and sang
come fly with me,
said the little red sled
and you gave me the wings of a bird
cf. Library Company of Philadelphia, “Wissahickon Creek” (detail) and
photograph by Bob Canning via Unsplash (edited collage)
Super Bowl V ½
the ultrablue winter twilight
and my huge snowsuit
as the ball sailed over the clothesline
Art Hanson, “Students Resting in the Hall Against Their Lockers Waiting for Class…” (1975)
At the inn, Coleridge emblazoned into his Notebook, in huge, drunken capital letters, two portentous words, “THE EPOCH”, followed by three pages of frantic scrawl…
— Richard Holmes, Coleridge: Darker Reflections
You Can’t Change That
cf. photograph by Nathan Dumlao via Unsplash and video by Vimeo-Free-Videos via Pixabay (edited collage)
My blue dream…
— Fitzgerald, The Last Tycoon
I remember the feeling…
Adrian Belew — “Heartbeat”
cf. photograph by rawpixel via Unsplash
“…and he prayed that God would strengthen us when the hard time comes on us; as it will come for all of us; as it came to Job — that we’d be strong in that hour…”
— Garrison Keillor, More News from Lake Wobegon — Hope: Let Us Pray
Lynn Pelham, “A public machine vends customers’ blood pressure for 25¢” (LIFE, 1960)
High Blood Pressure
Photograph by Martino Pietropoli via Unsplash
I want my place! my own place! my true place in the world! my proper sphere! my thing to do, which Nature intended me to perform when she fashioned me thus awry, and which I have vainly sought all my lifetime!
— Hawthorne, The Intelligence Office
Educational Screen Magazine, 1954
Sometimes she tries to hide it from me
But when she starts talking over my head
It makes me dizzy…
Love with a Thinker
cf. photograph by Cherry Laithang via Unsplash (edited collage)
drifting in the darkest night
searching for my long lost self —
and then I touch ground
Van Halen – 6/12/81 – Oakland Coliseum
cf. Nancy Ford Cones, “Mending The Net” (ca. 1912) and John William Waterhouse, The Lady of Shalott (1888)
…trying as usual to get my picture of myself straight.
— Robert Lowell, Near the Unbalanced Aquarium
Dowland — Book of Songs, Book 1: “All ye whom love or fortune hath betrayed” (David Munderloh)
cf. Underwood & Underwood, “Bluff Island…” (ca. 1900)
I almost wish we were butterflies and liv’d but three summer days — three such days with you I could fill with more delight than fifty common years could ever contain.
— letter from John Keats to Fanny Brawne, July 1, 1819
cf. Nationaal Archief, “Underneath a parasol” (1933) (edit)
Moments of their secret life together burst like stars upon his memory…
— Joyce, from Dubliners
Biber: Harmonia artificioso-ariosa / Partia III
cf. photograph by Karsten Würth via Unsplash (edited)
moment mirabilis (January, 1983)
billie jean on the car radio
on the on ramp
sunlight through a distant willow tree
cold air through the clouds diverging
I took a deep breath
This moment won’t ever be here again
Try to remember, hold on tight forever
To your life and love every night and day
Hold on and don’t let it slip away…
…and it was always said of him, that he knew how to keep Christmas well, if any man alive possessed the knowledge.
— Dickens, A Christmas Carol
Northeastern University Course Catalog, 1978-79
“I, uh, I was in love once — would you believe that? But I possessed neither the courage nor the optimism — perhaps the depth of feeling — that you two have.”
— A Christmas Carol (1984)
cf. photograph by Sesbilder via Pixabay
no thread —
only a minotaur
and a maze
cf. Edgar Allan Poe, “To One in Paradise”
cf. photograph by pieroor via Pixabay and video by Vimeo-Free-Videos via Pixabay (edited collage)
This terrible repetition of resolution and failure — like one of the endless, circular punishments of Dante’s “Inferno” — shaped much of what happened in the second part of his life. Yet he never stopped resolving, and this dogged determination to battle on also became characteristic and took him through experiences that few of his contemporaries shared or even remotely understood…
— Richard Holmes, Coleridge: Darker Reflections
cf. Tom Hubbard, “…Overlooking Crowds in the Square Below” (1973)
Level 7 C
I remember saying goodbye —
You’ve Got It
John Sapiro, “Sunflower Variation I” (Pastel/Digital)
cf. photograph by Tookapic via Pexels
I was overcome with remorse…because I hadn’t lived up to her expectations.
— Ionesco, The Hermit
You’ll Be In My Heart
Viscountess Jocelyn, “Interior of Room” (ca. 1862)
“What has all my Existence been since then but an Amo te Solo…”
— Coleridge, Notebooks, III
Bell Telephone Magazine, 1965
When in disgrace with fortune and men’s eyes
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself, and curse my fate,
Wishing me like to one more rich in hope,
Featur’d like him, like him with friends possess’d,
Desiring this man’s art, and that man’s scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee,—and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven’s gate;
For thy sweet love remember’d such wealth brings
That then I scorn to change my state with kings.
— Sonnet XXIX
I Think I Love You
cf. John C. Higgins, “Man in Bottle” (detail) (ca. 1888) and
video by Vimeo-Free-Videos via Pixabay (edited collage)
Every man must take the measure of his own strength. I may, I do, regret my want of fortitude; but so it is, that incurable depression of Spirits, Brooding, Indolence, Despondence, thence Pains and nightly Horrors…
— Letter from Coleridge to Daniel Stuart quoted in Richard Holmes, Coleridge: Darker Reflections
Black Sheets Of Rain
cf. photograph by Les Anderson via Unsplash (edited)
when I was young
rowing into a storm
you were on the shore
running alongside me
but I wasn’t listening
now, many years later
I’m still rowing
and I still see you
and I remember
everything you said
Song For My Father
Arthur S. Siegel, “…National music camp…” (1942)
Sonata Allegro Form (a love story)
I tried moving to the relative major
but there was no development — only the same theme
I tried adding a coda but all you said was
Goodbye To You
cf. photograph and video via Pixabay (edited collage)
through the too many miles
and the too little smiles
I still remember you
collage including photograph from “Student Life” collection at UL Digital Library (1976) (detail) (edited)
No, Time, thou shalt not boast that I do change…
— Sonnet 123
Suite: Judy Blue Eyes by Crosby, Stills & Nash
The U.S. National Archives, “A youngster, clutching his soldier father, gazes upward while the latter lifts his wife from the ground to wish her a ‘Merry Christmas.’ The serviceman is one of those fortunate enough to be able to get home for the holidays.” (December, 1944)
“I’ll Be Home for Christmas” by Bing Crosby
Advertising Arts, 1931
He beckoned coaxingly to the Pomeranian, and when the dog came up to him he shook his finger at it. The Pomeranian growled: Gurov shook his finger at it again.
The lady looked at him and at once dropped her eyes.
“He doesn’t bite,” she said, and blushed.
“May I give him a bone?” he asked…
— Chekhov, The Lady with the Dog
collage including video by Anatwell-Group via Pixabay (edited)
Another expedition took him to Cambridge, the first return since undergraduate days twelve years previously, where the young men all looked just the same in the university pubs and “the only alteration” was in himself…
— Richard Holmes, Coleridge: Darker Reflections
Linda Bruner, “Rainy Night In Georgia”
Anna Curtis Chandler & Irene F. Cypher, “Audio-Visual Techniques For Enrichment Of The Curriculum” (1948)
In the room the women come and go
Talking of Mendelevium.
Pasadena (Calif.) Audubon Society, “Teaching Children To Love The Birds” (ca. 1922)
He gathered together a few shillings and wired them to Trieste; on Christmas eve John Joyce produced a few more to wire to Nora, quoting Vergil almost accurately, “Non ignara malorum miseris succurrere disco.”*
*“Having suffered myself, I know how to help those in trouble.”
— Richard Ellmann, James Joyce
when time held me
between two worlds
I can still recite
“Invisible Touch” by Genesis
Left: Nationaal Archief, “Youngsters having a good time” (1961)
Right: Joseph B. Bergstresser, “Unidentified group playing cards” (ca. 1860-1900)
“Still The One” by Orleans
cf. Patricia D. Duncan, “…Schoolhouse, near Troy in the Northeast Corner of the State…” (1974) and
video by Coverr-Free-Footage via Pixabay
It shall be no trespassing,
If I come again some spring
In the grey disguise of years,
Seeking ache of memory here.
— Robert Frost, On the Sale of My Farm (excerpt)
Leaving On A Jet Plane
Cincinnati Magazine, 1986
hair metal holiday
check the mirror
moonlight on the dash
summer night on the driver’s side
green lights as far as i can see
I Want A Woman
cf. Ladies’ Home Journal, 1985 and video by Vimeo-Free-Videos via Pixabay
could i if
time in back go could i if
and night that to back go would i
forever there stay
“Calling You” by Bob Telson
cf. Tom Hubbard, “Fountain Square…” (June, 1973)
behind the camera
as you were focusing
on your friend
smiling in his summer suit
next to the fountain
on that hot june afternoon in 1973
her heart was breaking
he had lost his way
fate and destiny
enkindled and unsettled
set in motion
held alone by gossamer threads
and if you look closely
someplace far away
I’m on my bicycle
riding as fast as I can
John Collier, Jr., “Washington Hot Shoppe restaurant” (detail) (1941)
Jenny kiss’d me when we met,
Jumping from the chair she sat in;
Time, you thief, who love to get
Sweets into your list, put that in!
Say I’m weary, say I’m sad,
Say that health and wealth have miss’d me,
Say I’m growing old, but add,
Jenny kiss’d me.
— Leigh Hunt
I Wanna Be With You
cf. Carol M. Highsmith, “Autumn in New England’s Barnet, Vermont” (between 1980 and 2006) (edited)
I wish I could
cf. Emily Dickinson and 2001: A Space Odyssey (1968)
Robert Hicks, “…Bedroom. Facing Northeast…” (1996)
a familiar voice
to focus and
take all the lightning
Colin Hay, “Overkill” Live at KDHX 5/4/11
Nationaal Archief, “Presents at the top of a car” (detail)
His Notebooks, increasingly filled with intricate technical speculations on science and theology, lose much of their intimacy. But, at least until 1820, they are also far less painful and unhappy, apart from the occasional visitation of the ghosts and wolves of memory and loss.
In December 1816, after a long metaphysical speculation on “the three Protoplasms, or primary Forms” of Gravity, Light and Water, he suddenly stopped short and wrote:
“ASRA. Written as of yore. Christmas 1816. ASRA. Does the Past live with me alone? Coleridge.”
— Richard Holmes, Coleridge: Darker Reflections
cf. video by abele62 and silhouette by geralt both via Pixabay (edited collage)
on that window frame
Love brought me here…
— Dante, Inferno
Everything returns again
Both the laughter and the rain
She is living somewhere far away…
— The Left Banke, “Desiree”
The Left Banke with the NYU All University Choir “Drama Cantorum” — “Desiree”
photograph by Jon Asato via Unsplash
We never know how high we are
Till we are called to rise;
And then, if we are true to plan,
Our statures touch the skies…
— Emily Dickinson
Part of the Plan
photograph by John Sapiro
cf. photograph by Erik Witsoe via Unsplash (edited) and video by Vimeo-Free-Videos via Pixabay (edited)
J. S. Bach, Wenn wir in höchsten Nöten sein performed by Monica Chew
cf. photograph by Sophia Baboolal via Unsplash and video by Coverr-Free-Footage via Pixabay (edited)
I can see them at this moment, those mountain meadows, if I rise from my writing-table, and open the old barred valves of the corner window of the Hotel Bellevue;—yes, and there is the very path we climbed that day together, apparently unchanged. But on what seemed then the everlasting hills, beyond which the dawn rose cloudless, and on the heaven in which it rose, and on all that we that day knew, of human mind and virtue,—how great the change, and sorrowful, I cannot measure, and, in this place, I will not speak.
— John Ruskin, Praeterita
Operator (That’s Not The Way It Feels)
cf. photograph by evalynn via Pixabay (edited)
Tuesday, September 25, 2018
Betimes I found myself alive again and in downtown London.
And so to the office but I greatly found large crowds about and lost my way and strange moving carriages betimes almost hit me and large houses and great noises all about me so that I could not even collect my thoughts and so lost my wits and many strangers who were moving greatly fast and past me in the streets.
And so to bed. I miss my wife.
(cf. Diary of Samuel Pepys)
Nationaal Archief, “Festive lights in Amsterdam”
for I walked down the sidestreets
with a headache self-conscious looking at the full moon
whispered lunar incantations
dissolved the floors of memory
a fever, longing still —
absence seems my flame
I am as steadfast as thou art
All I Do
John Dillwyn Llewelyn, “After the Storm” (ca. 1853)
I fit for them,
I seek the dark till I am thorough fit.
The labor is a solemn one,
With this sufficient sweet —
That abstinence as mine produce
A purer good for them,
If I succeed, —
If not, I had
The transport of the Aim.
— Emily Dickinson
They Will Never Know
cf. Alfred Stieglitz, “Picasso-Braque Exhibition” (1915) and
Frank Waller, “Interior View of the Metropolitan Museum of Art…” (detail) (1881)
and never out of style
speaking of Michelangelo!
beautiful truth, truth in beauty
cloudless climes and starry skies
dark and bright
meet in her eyes
Isn’t It Romantic?
Northeastern University Course Catalog, 1985-86
hearing your voice again
so long ago
was that me
as the radio played
nothing stands between love and you
Steve Perry – No Erasin’
Entering the Thimble Shoal Channel Tunnel, March, 1985
Queequeg was a native of Rokovoko, an island far away to the West and South. It is not down in any map; true places never are.
— Melville, Moby Dick
Stephen Schwartz Performs “Corner of the Sky”
I have a hunch myself
not only about Mozart
and I also speculate about transcendence
but it doesn’t make me uncomfortable
(cf. Saul Bellow, “Mozart: An Overture”)
Now I’m Here
The Saint and the Singer (1914)
“What are you going to do?” Hans Castorp asked, flabbergasted.
“I am leaving,” she repeated, smiling in apparent amazement at the frozen look on his face.
“It’s not possible,” he said. “You’re joking.”
“Most certainly not. I am perfectly serious. I am leaving…”
A whole world was collapsing inside him.
— The Magic Mountain
If Ever You’re In My Arms Again
cf. Carol M. Highsmith, “Tremont Street, Boston” (between 1980 and 2006) and
video by Coverr-Free-Footage via Pixabay (edited)
Márgarét, áre you gríeving
Over Goldengrove unleaving?
Leáves like the things of man, you
With your fresh thoughts care for, can you?
Ah! ás the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you wíll weep and know why.
Now no matter, child, the name:
Sórrow’s spríngs áre the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It ís the blight man was born for,
It is Margaret you mourn for.
— Gerard Manley Hopkins, Spring and Fall
If These Walls Could Speak
Just Mother (1914)
How say you? Let us, O my dove,
Let us be unashamed of soul,
As earth lies bare to heaven above!
How is it under our control
To love or not to love?
— Robert Browning, Two in the Campagna (excerpt)
William James Mullins, “Children Fishing” (ca. 1900)
“…I worry about so many things, and everything is so hard for me. For instance, I cut my finger or hurt myself some way — and it’s a wound that heals for other people in a week, but it takes four weeks with me. It just won’t heal, it gets infected, gets really ghastly, and gives me all kinds of trouble. The other day Herr Brecht told me that my teeth look horrible, that they’re all deteriorating and wearing down, not to mention the ones he’s already pulled. That’s how things stand now. And what will I bite with when I’m thirty, or forty? I’ve lost all hope.”
“Come on,” Kai said and picked up the pace of their stroll. “And now tell me a little about your piano playing…are you going to play the piano this afternoon?”
Hanno was silent for a moment. A bleak, confused, feverish look came to his eyes. “Yes, I’ll probably improvise a while,” he said…
— Thomas Mann, Buddenbrooks
Northeastern University Course Catalog, 1982-83
10 people in a canoe
each is wearing a different colored hat
how far away is the man in the blue hat
So Very Hard To Go
cf. C.M. Bell, “Unidentified man” (between 1873 and ca. 1916) and
John Rogers, “Rip Van Winkle Returned” (1871)
Then the rambling old house lay tightly wrapped in darkness and silence. Pride, hope, and fear all slept, while rain pelted the deserted streets and an autumn wind whistled around corners and gables.
— Thomas Mann, Buddenbrooks
When You Were Young
cf. Tom Hubbard, “Fountain Square…” (1973) and video by tmeier1964 via Pixabay (edited)
Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.
— William Ernest Henley, Invictus (excerpt)
Don’t Stop Believin’
cf. photograph by Lukasz Szmigiel via Unsplash (edited)
And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –
— Emily Dickinson, “Hope” is the thing with feathers (excerpt)
cf. photograph by Chad Madden via Unsplash (edited)
I cried for madder music and for stronger wine,
But when the feast is finished and the lamps expire,
Then falls thy shadow, Cynara! the night is thine;
And I am desolate and sick of an old passion,
Yea, hungry for the lips of my desire:
I have been faithful to thee, Cynara! in my fashion.
— Ernest Dowson, Non sum qualis eram bonae sub regno Cynarae (excerpt)
Almost Hear You Sigh
Risdon Tillery, “A young draftsman drawing plans for a house and developing his favorite hobby…” (detail) (1944)
“What career do you intend to take up, Mr. Joyce?” he asked. “The career of letters.” The dean persisted, “Isn’t there some danger of perishing of inanition in the meantime?” And Joyce, as his brother recorded, said this was one of the perils, but there were prizes too.
— Richard Ellmann, James Joyce
Mr. Wilcox, the bookseller, on being informed by him that his intention was to get his livelihood as an author, eyed his robust frame attentively, and with a significant look, said, “You had better buy a porter’s knot.”
— Boswell’s Life Of Johnson
Finally Found A Home
cf. photograph by StockSnap via Pixabay (edit)
like Keats and Fanny Brawne
for three summer days
filled with more delight than those fifty common years
in the twilight streetlamps
the warm night air
and the car radio
and looked at you
cf. London Stereoscopic Company, “Jeames at Home!” (ca. 1860-1870)
Who will go drive with Fergus now,
And pierce the deep wood’s woven shade,
And dance upon the level shore?
Young man, lift up your russet brow,
And lift your tender eyelids, maid,
And brood on hopes and fear no more.
And no more turn aside and brood
Upon love’s bitter mystery;
For Fergus rules the brazen cars,
And rules the shadows of the wood,
And the white breast of the dim sea
And all dishevelled wandering stars.
— W. B. Yeats, Who Goes with Fergus?
Return Of The Mack (C&J Extended Mix) by Mark Morrison
Business Screen magazine, 1973
The evening, blue, voluptuous, of June
Settled slowly on the beach with pulsating wings,
Like a sea-gull come to rest: far, far-off twinkled
Gold lights from the towers of a city and a passing ship.
The dark sea rolled its body at the end of the beach,
The warm soft beach which it was too tired to climb,
And we two walked together there
Arm in arm, having nothing in our souls but love.
— John Gould Fletcher, Memory: The Walk on the Beach (excerpt)
Julie, Do Ya Love Me by Bobby Sherman
Ernst Halberstadt, “Elevated Railroad Structure…” (1973)
A kind of strange oblivion has overspread me, so that I know not what has become of the last year; and perceive that incidents and intelligence pass over me without leaving any impression.
— Samuel Johnson, Prayers and Meditations
Aalto University Commons, “Metal forging class” (detail) (ca. 1920s)
Utopia – Hammer in My Heart
Nationaal Archief, “Clients in a record shop” (1979)
Who can undo what time hath done?
Beckon lost music from a broken lute?
— Owen Meredith, “Orval or The Fool Of Time” (excerpt)
Song On The Radio
cf. photograph by Nadia Valkouskaya via Unsplash and video by Coverr-Free-Footage via Pixabay
cf. American Scenery publishing company, “Top Corridor of Palace Hotel” (ca. 1850s–1910s)
April 15. Met her today point blank in Grafton Street. The crowd brought us together. We both stopped. She asked me why I never came, said she had heard all sorts of stories about me. This was only to gain time. Asked me was I writing poems? About whom? I asked her. This confused her more and I felt sorry and mean. Turned off that valve at once and opened the spiritual-heroic refrigerating apparatus, invented and patented in all countries by Dante Alighieri. Talked rapidly of myself and my plans. In the midst of it unluckily I made a sudden gesture of a revolutionary nature. I must have looked like a fellow throwing a handful of peas into the air. People began to look at us. She shook hands a moment after and, in going away, said she hoped I would do what I said.
Now I call that friendly, don’t you?
Yes, I liked her today. A little or much? Don’t know. I liked her and it seems a new feeling to me. Then, in that case, all the rest, all that I thought I thought and all that I felt I felt, all the rest before now, in fact… O, give it up, old chap! Sleep it off!
— Joyce, A Portrait of the Artist as a Young Man
To Each His Own
cf. Cincinnati Magazine, 1979 with additional artwork by me
roman à clef
Here’s the key —
Minstrel In The Gallery
Jim Matchinga, “Roots” (Cincinnati Magazine, 1980)
Now this interconnection or adaptation of all created things to each and of each to all, means that each simple substance has relations which express all the others, and, consequently, that it is a perpetual living mirror of the universe.
— Leibniz, The Monadology
“Mercy Mercy Me (The Ecology)” by Marvin Gaye
cf. G. W. Thorne/London Stereoscopic Company, “The Bashful Lover” (hand-colored) (ca. 1860-1870)
Get Used To It
Jack Delano, “Flagman walks back to flag any oncoming trains…” (1943)
Do not wear your soul out with tears but be as usually brave and look hopefully to the future.
— Letter to James Joyce from his mother (quoted in Richard Ellmann, James Joyce)
Jack Corn, “Children During Recess…” (1974)
but I —
I was there
in that bright autumn dawn
on the playground
when we sparkled
and our dreams were the morning stars
still in the sky
Paris, August, 1984
Nothing should remain unsaid between us
— Robert Frost, To E. T. (excerpt)
The Blue Distance by Mary Chapin Carpenter
cf. photograph by Nik Shuliahin via Unsplash (edit)
Down, down, down. Would the fall never come to an end! “I wonder how many miles I’ve fallen by this time?” she said aloud. “I must be getting somewhere near the center of the earth…”
— Lewis Carroll, Alice’s Adventures in Wonderland
I Don’t Understand
photograph by Liane Metzler via Unsplash
I believe I can cover most of the expenses of publication of my daughter’s “Alphabet.” My idea is not to persuade her that she is a Cézanne but that, on her 29th birthday, she may see something to persuade her that her whole past has not been a failure.
The reason I keep on trying by every means to find a solution for her case — which may come at any time as it did with my eyes — is that she may not think that she is left with a blank future as well.
I am aware that I am blamed by everybody for sacrificing that “precious metal” — money — to such an extent for such a purpose when it could be done so cheaply and quietly by locking her up in an economical “mental prison” for the rest of her life. I will not do so as long as I see a single chance of hope for her recovery nor blame her or punish her for the great crime she has committed in being a victim to one of the most elusive diseases known to men and unknown to medicine.
And I imagine that if you were where she is and felt as she must you would perhaps feel some hope if you felt that you were neither abandoned nor forgotten.
— Letter from James Joyce to Harriet Weaver, 1936 (quoted in Richard Ellmann, James Joyce)
cf. photograph by Lefty Kasdaglis via Unsplash (edit)
Farewell to an idea . . .
A darkness gathers though it does not fall
And the whiteness grows less vivid on the wall.
— Wallace Stevens, The Auroras of Autumn (excerpt)
cf. photograph by freestocks-photos via Pixabay (edit)
Ian Livesey, “Rainy rainy Manchester” (detail) (2015)
On Margate Sands
I can’t stop connecting
everything with everything
with the past
the broken fingernails of dirty hands.
To Carthage I came, once, many years ago
now dull roots with spring rain
Say Goodbye to Hollywood
cf. photograph by Kyle Popineau via unsplash and Abul Haque, “Students Arriving by Schoolbus…” (1976)
Up from the earth, O weary head!
This is not Troy, about, above—
— Euripides, The Trojan Women (Tr. Murray)
Northeastern University Course Catalog, 1975-76
He thought he kept the universe alone;
For all the voice in answer he could wake
Was but the mocking echo of his own
From some tree-hidden cliff across the lake.
Some morning from the boulder-broken beach
He would cry out on life, that what it wants
Is not its own love back in copy speech,
But counter-love, original response.
And nothing ever came of what he cried…
— Robert Frost, The Most Of It (excerpt)
Behind The Lines
He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself…
— Clement Clarke Moore, A Visit from St. Nicholas
“Cool Yule” by Louis Armstrong
cf. photograph by Joshua Coleman via Unsplash (edit)
The possibility of having [Ulysses] published in a more regular way came up again in June 1918, when Roger Fry suggested Miss Weaver call on Leonard and Virginia Woolf to induce them to publish the book at their new Hogarth Press. Virginia Woolf noted in her diary the incongruous appearance of Miss Weaver as the ‘buttoned-up’ and woollen-gloved missionary for a book that ‘reeled with indecency.’*
*Miss Weaver, when the passage was quoted to her, demanded with acerbity, ‘What is wrong with woollen gloves?’
— Richard Ellmann, James Joyce
“(Shine Your) Light Love Hope” by Bob Mould
cf. LIFE, 1972
“…For you to wait like that was stupid and quite impermissible. But you aren’t angry with me, are you, because you waited in vain?”
“Well, it was rather hard, Clavdia, even for a man with detached passions — hard on me and hard-hearted of you to come back with him, because of course you knew from Behrens that I was still here, waiting for you. But I’ve told you that I think of that night simply as a dream, our dream…”
— Thomas Mann, The Magic Mountain
Flat Tire (The Truth) by Athenaeum
When it came to concealing his troubles, Tommy Wilhelm was not less capable than the next fellow…
— Saul Bellow, Seize the Day
“Eminence Front” by The Who
Warren K. Leffler, “Couple listening to radio” (1957)
a hundred windings of the heart —
It’s The Same Old Song
A great dog.
Oh, how I wish we were back on the road again…
“Me And You And A Dog Named Boo” by Lobo
Carol M. Highsmith, “The character Dorothy models her sparkling ruby slippers at the Land of Oz…” (2017)
You road I enter upon and look around, I believe you are not all
that is here,
I believe that much unseen is also here.
— Whitman, Song Of The Open Road
“Here She Is” — Ellis Paul
Northeastern University Bulletin, 1980-81
STEPHEN: (Brings the match near his eye.) Lynx eye. Must get glasses. Broke them yesterday. Sixteen years ago. Distance. The eye sees all flat. (He draws the match away. It goes out.) Brain thinks. Near: far. Ineluctable modality of the visible. (He frowns mysteriously.) Hm… Married.
— Joyce, Ulysses
“Time Passages” by Al Stewart
photograph by Hannah Grace via Unsplash (edit)
Ars Nova (1980)
to the window
a new room
a whole world
I found it — here
a Dowland transcription
“A Fancy” — John Dowland performed by Eva Beneke
cf. Gustave Caillebotte, “Interior, Woman at the Window” (detail) (1880) and photograph via unsplash (edit)
The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster…
— Elizabeth Bishop, One Art
To be sure, it is sheer madness… to return to the sites of one’s youth and try to relive at forty what one loved or keenly enjoyed at twenty. But I was forewarned of that madness… I hoped, I think, to recapture there a freedom I could not forget. In that spot, indeed, more than twenty years ago, I had spent whole mornings wandering… I was alive then.
— Camus, Return To Tipasa
“Free Man In Paris” — Joni Mitchell
Ernst Halberstadt, “City Hall Plaza–A Pleasant Setting for Rest and Conversation” (1973)
—He’s pretty well on, professor MacHugh said in a low voice.
—Seems to be, J. J. O’Molloy said, taking out a cigarettecase in murmuring meditation, but it is not always as it seems. Who has the most matches?
— Joyce, Ulysses
“Love Of The Common Man” — Todd Rundgren
photograph by Jonathan Dubon via Unsplash (edit)
tanglewood in blue
in the summer grass
steadfast bright stars
—Yes. So you think…
The door closed behind the outgoer.
Rest suddenly possessed the discreet vaulted cell, rest of warm and brooding air.
A vestal’s lamp.
Here he ponders things that were not… what might have been: possibilities of the possible as possible: things not known…
— Joyce, Ulysses
“Fifty Years After The Fair” — Aimee Mann
Horacio Villalobos, “Housewife in the Kitchen…” (ca. 1975)
“The problem with life is that it’s too daily.”
— Sarah E. Sapiro
At the violet hour, when the eyes and back
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female breasts, can see
At the violet hour, the evening hour that strives
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun’s last rays,
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs
Perceived the scene, and foretold the rest…
— T. S. Eliot, The Waste Land
“Sweet Bird” — Joni Mitchell
cf. photograph by Genessa Panainte via Unsplash (edit)
open tuning (august, 1981)
under the proscenium arch
seeming you near me
inspired and altered
what chord is that?
and I answered
“Cinnamon Girl” — Neil Young
photograph by RyanMcGuire via Pixabay
Hold to the now, the here, through which all future plunges to the past.
— Joyce, Ulysses
“No Lookin’ Back” — Michael McDonald
photograph by Forrest Cavale via Unsplash (edit)
Dick tried to rest — the struggle would come presently at home and he might have to sit a long time, restating the universe for her… But the brilliance, the versatility of madness is akin to the resourcefulness of water seeping through, over and around a dike. It requires the united front of many people to work against it… In a tired way, he planned that they would again resume the régime relaxed a year before…
— F. Scott Fitzgerald, Tender is the Night
“Compassion” – Todd Rundgren
Tom Hubbard, “…Public Plaza, Fountain Square…” (1973)
I diverged in a yellow wood
and sorry I could not travel
long I stood
and looked as far as I could
doubting I should ever come back
I am telling this with a sigh
has made all the difference
“Bridge of Sighs” — Robin Trower
Who will in fairest book of nature know
How virtue may best lodg’d in beauty be,
Let him but learn of love to read in thee,
Stella, those fair lines which true goodness show.
There shall he find all vices’ overthrow,
Not by rude force, but sweetest sovereignty
Of reason, from whose light those night-birds fly;
That inward sun in thine eyes shineth so.
And, not content to be perfection’s heir
Thyself, dost strive all minds that way to move,
Who mark in thee what is in thee most fair.
So while thy beauty draws thy heart to love,
As fast thy virtue bends that love to good:
But “Ah,” Desire still cries, “Give me some food!”
— Sir Philip Sidney, Astrophil and Stella 71: “Who will in fairest book of nature know”
“Bad Time” — Grand Funk
cf. Alphonse François (After Delaroche), “Napoleon Crossing the Alps” (1851) and
Dihl et Guérhard, “Napoleon Bonaparte as First Consul” (ca. 1800)
“Pretzel Logic” – Steely Dan
cf. Library of Congress Prints and Photographs Division, “Man sitting with dog on front porch as woman looks through door…” (between 1860 and 1930)
“Move It On Over” — George Thorogood and the Destroyers
photograph by Kristopher Roller via Unsplash
All Sisyphus’ silent joy is contained therein. His fate belongs to him. His rock is his thing…There is no sun without shadow, and it is essential to know the night…Thus, convinced of the wholly human origin of all that is human, a blind man eager to see who knows that the night has no end, he is still on the go. The rock is still rolling…
— Camus, The Myth Of Sisyphus
cf. Cincinnati Magazine, 1985
“1985” by John Sapiro
Ernst Halberstadt, “Ice Skating in the Public Garden” (detail) (1973)
“Are you going to stay in town long?” asked Kitty.
“I don’t know,” he answered, not thinking of what he was saying.
The thought that if he were held in check by her tone of quiet friendliness he would end by going back again without deciding anything came into his mind, and he resolved to rebel against it.
“How is it you don’t know?”
“I don’t know why. It depends on you,” he said, and instantly he was horrified at his own words.
She either did not understand his words, or did not want to understand them, for, seeming to stumble once or twice, catching her foot, she hurriedly skated away from him. She skated up to Mlle. Linon, said something to her, and went towards the pavilion where the ladies took off their skates.
— Tolstoy, Anna Karenina
Utopia – “Say Yeah”
cf. photograph by Gabriel Laroche (edit) via Unsplash
Muse, tell me why, for what attaint of her deity, or in what vexation, did the Queen of heaven drive one so excellent in goodness to circle through so many afflictions, to face so many toils? Is anger so fierce in celestial spirits?
— Virgil, Aeneid
“Carry On My Wayward Son” by Samantha Loren
David Falconer, “One Family of Four Moved Into the Attic of Their Home…” (1973)
I was happier then. Or was that I? Or am I now I?
Twentyeight I was. She twentythree.
When we left Lombard street west something changed.
Could never like it again after Rudy.
Can’t bring back time. Like holding water in your hand.
Would you go back to then? Just beginning then. Would you?
—James Joyce, Ulysses
cf. John Margotta, “La Galleria” (Orange Coast Magazine, 1986)
Ah! Vanitas Vanitatum! which of us is happy in this world? Which of us has his desire? or, having it, is satisfied?
— Thackeray, Vanity Fair
Miroslav Sido, “Mother”
As from the house your mother sees
You playing round the garden trees,
So you may see, if you will look
Through the windows of this book,
Another child, far, far away…
That lingers in the garden there.
— Robert Louis Stevenson, “To Any Reader” (excerpt)
cf. Jane Reece, “Interior” (edit) (ca. 1922)
but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply,
And in my heart there stirs a quiet pain
— Edna St. Vincent Millay, “What lips my lips have kissed, and where, and why” (excerpt)
“Only A Memory” – The Smithereens
cf. Harry C. Phibbs, “The Woodchopper’s Woman” (ca. 1922) and video by WolfBlur via Pixabay
is it still
yes i think
there is something
i have to
King Crimson – “Heartbeat”
cf. “Reflections”, after Bayard Jones (edit) (ca. 1903)
I held a jewel in my fingers
And went to sleep.
The day was warm, and winds were prosy;
I said: “’T will keep.”
I woke and chid my honest fingers,—
The gem was gone;
And now an amethyst remembrance
Is all I own.
“I’m Turning Around” – Gentle Giant
photograph by Mark Jefferson Paraan via Unsplash
Because no man can ever feel his own identity aright except his eyes be closed; as if darkness were indeed the proper element of our essences, though light be more congenial to our clayey part.
— Melville, Moby Dick
Electric Light Orchestra – “Last Train To London”
cf. “Waterproof”, After C. Clyde Squires (ca. 1907) and video by tmeier1964 via Pixabay
O Lear, Lear, Lear!
Beat at this gate that let thy folly in,
And thy dear judgment out!
“Animal” – Def Leppard
cf. Eugene Aizelin, “Mignon” (photograph by S. Almquist, ca. 1921) and
John H. Stocksdale, “Margaret” (ca. 1920)
Was it a vision, or a waking dream?
Fled is that music:—Do I wake or sleep?
— Keats, Ode to a Nightingale
“Never Here” – Elastica
cf. J. Thornton Johnston, “The Short Cut” (ca. 1922)
when pluto was still a planet
the universe was full of surprises
“Nocturne” by John Sapiro
cf. photograph by Sam Soffes via Unsplash (edit)
fog of fluorescence
this watch said
Patty Griffin – “Rain”
photograph by StockSnap via Pixabay
My tables—meet it is I set it down…
Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
—T. S. Eliot, The Hollow Men
“Black Sheets Of Rain” – Bob Mould
cf. image (flow chart) by geralt via Pixabay and photographs via Unsplash
Shall I part my hair behind? Do I dare to eat a peach?
—T. S. Eliot, The Love Song of J. Alfred Prufrock
“Rock Me Gently” – Andy Kim
cf. LIFE, 1972
Good shepherd, tell this youth what ’tis to love.
It is to be all made of sighs and tears,
It is to be all made of faith and service,
It is to be all made of fantasy,
All made of passion and all made of wishes,
All adoration, duty, and observance,
All humbleness, all patience and impatience,
All purity, all trial, all observance…
—As You Like It
“Unforgettable” by Nat King Cole