Nature’s first green is gold, Her hardest hue to hold. Her early leaf’s a flower; But only so an hour. Then leaf subsides to leaf. So Eden sank to grief, So dawn goes down to day. Nothing gold can stay.
They have no song, the sedges dry, And still they sing. It is within my breast they sing, As I pass by. Within my breast they touch a string, They wake a sigh. There is but sound of sedges dry; In me they sing.
“…since you can’t sleep, and Mamma can’t either, we mustn’t go on in this stupid way; we must do something; I’ll get one of your books.” But I had none there. “Would you like me to get out the books now that your grandmother is going to give you for your birthday?”
You smiled, you spoke, and I believed, By every word and smile deceived. Another man would hope no more; Nor hope I what I hoped before: But let not this last wish be vain; Deceive, deceive me once again!
SHALL I compare thee to a summer’s day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimm’d; And every fair from fair sometime declines, By chance, or nature’s changing course untrimm’d; But thy eternal summer shall not fade, Nor lose possession of that fair thou ow’st, Nor shall death brag thou wander’st in his shade, When in eternal lines to time thou grow’st; So long as men can breathe, or eyes can see, So long lives this, and this gives life to thee.
perfume nightsky firelight bells in the distant temple tower winds on the water the ghosts of Hannibal you read to me of Hanno the Navigator on the sands of hours and held me spellbound
Now as I was young and easy under the apple boughs About the lilting house and happy as the grass was green, The night above the dingle starry, Time let me hail and climb Golden in the heydays of his eyes, And honoured among wagons I was prince of the apple towns And once below a time I lordly had the trees and leaves Trail with daisies and barley Down the rivers of the windfall light.
And as I was green and carefree, famous among the barns About the happy yard and singing as the farm was home, In the sun that is young once only, Time let me play and be Golden in the mercy of his means…
I am—yet what I am none cares or knows; My friends forsake me like a memory lost: I am the self-consumer of my woes— They rise and vanish in oblivious host, Like shadows in love’s frenzied stifled throes And yet I am, and live—like vapours tossed
Into the nothingness of scorn and noise, Into the living sea of waking dreams, Where there is neither sense of life or joys, But the vast shipwreck of my life’s esteems; Even the dearest that I loved the best Are strange—nay, rather, stranger than the rest.
I long for scenes where man hath never trod A place where woman never smiled or wept There to abide with my Creator, God, And sleep as I in childhood sweetly slept, Untroubling and untroubled where I lie The grass below—above the vaulted sky.
BENEDICK: Then is courtesy a turncoat. But it is certain I am loved of all ladies, only you excepted; and I would I could find in my heart that I had not a hard heart, for truly I love none.
BEATRICE: A dear happiness to women. They would else have been troubled with a pernicious suitor. I thank God and my cold blood I am of your humor for that. I had rather hear my dog bark at a crow than a man swear he loves me.
LUCENTIO: Gramercies, Tranio, well dost thou advise. If, Biondello, thou wert come ashore, We could at once put us in readiness And take a lodging fit to entertain Such friends as time in Padua shall beget.
[Enter Baptista with his two daughters, Katherine and Bianca; Gremio, a pantaloon, and Hortensio, suitors to Bianca.]
SINCE there ’s no help, Come, let us kiss and part! Nay, I have done. You get no more of me! And I am glad, yea, glad, with all my heart, That thus so cleanly, I my self can free. Shake hands for ever! Cancel all our vows! And when we meet at any time again, Be it not seen in either of our brows, That we one jot of former love retain! Now at the last gasp of LOVE’s latest breath. When his pulse failing, Passion speechless lies; When Faith is kneeling by his bed of death, And Innocence is closing up his eyes: Now, if thou wouldst! when all have given him over, From death to life, thou might’st him yet recover!
Do you still remember: falling stars, how they leapt slantwise through the sky like horses over suddenly held-out hurdles of our wishes—did we have so many?— for stars, innumerable, leapt everywhere; almost every gaze upward became wedded to the swift hazard of their play, and our heart felt like a single thing beneath that vast disintegration of their brilliance— and was whole, as if it would survive them!
WHY didst thou promise such a beauteous day And make me travel forth without my cloak, To let base clouds o’ertake me in my way, Hiding thy bravery in their rotten smoke? ’Tis not enough that through the cloud thou break, To dry the rain on my storm-beaten face, For no man well of such a salve can speak That heals the wound and cures not the disgrace: Nor can thy shame give physic to my grief; Though thou repent, yet I have still the loss: The offender’s sorrow lends but weak relief To him that bears the strong offence’s cross. Ah! but those tears are pearl which thy love sheds, And they are rich and ransom all ill deeds.
And for all this, nature is never spent; There lives the dearest freshness deep down things; And though the last lights off the black West went Oh, morning, at the brown brink eastward, springs— Because the Holy Ghost over the bent World broods with warm breast and with ah! bright wings.
The quality of mercy is not strained. It droppeth as the gentle rain from heaven Upon the place beneath. It is twice blest: It blesseth him that gives and him that takes.
It was a bright cold day in April, and the clocks were striking thirteen. Winston Smith, his chin nuzzled into his breast in an effort to escape the vile wind, slipped quickly through the glass doors of Victory Mansions, though not quickly enough to prevent a swirl of gritty dust from entering along with him.
Eastman Kodak Company, “How to make good movies…” (1938)
The many faces of defeat Invite you home: They offer you such silence As has no truck with time. The face of horrid purpose, The train of circumstance There, the door is closed upon; They shall no more advance. Yet see in the uncertain sky Above your uncertain station– The sign she left you, passing, Persists in affirmation.
FAREWELL! thou art too dear for my possessing And like enough thou know’st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving? The cause of this fair gift in me is wanting, And so my patent back again is swerving. Thyself thou gav’st, thy own worth then not knowing, Or me, to whom thou gav’st it, else mistaking; So thy great gift, upon misprision growing, Comes home again, on better judgment making. Thus have I had thee, as a dream doth flatter, In sleep a king, but, waking, no such matter.
Unto the boundless Ocean of thy beauty Runs this poor river, charged with streams of zeal: Returning thee the tribute of my duty, Which here my love, my youth, my plaints reveal. Here I unclasp the book of my charged soul, Where I have cast th’accounts of all my care: Here have I summed my sighs, here I enroll How they were spent for thee; look what they are. Look on the dear expenses of my youth, And see how just I reckon with thine eyes: Examine well thy beauty with my truth, And cross my cares ere greater sum arise. Read it sweet maid, though it be done but slightly; Who can show all his love, doth love but lightly.
— Samuel Daniel, “Delia 1: Unto the boundless Ocean of thy beauty”
Spend all you have for loveliness, Buy it and never count the cost; For one white singing hour of peace Count many a year of strife well lost, And for a breath of ecstasy Give all you have been, or could be.
Again there has been a sad interval in our correspondence. But do not blame me. I have had a pretty severe return this summer of that mel- ancholy or hypochondria, which is inherent in my constitution and from which I have suffered miserably in former years, though since my marriage I have been wonderfully free from it. Your languor and discontent are occasioned by a gentler species of the distemper. You have a slow fever, I a raging one. While gloomy and fretful, and grossly indolent, I was shocked with the recollection of my good spirits, gayety, and activity, as a man with a headache is shocked by bright sunbeams. – But I need not describe my feelings to you. – The strange thing was that I did not write to you, a few lines, merely as firing guns of distress. Nobody here but my wife and worthy Johnson had the least notion of my being at all uneasy; for I have been remarkably busy this summer. I wrote about threescore law-papers, and got £124 in fees during last sessions two months. The court rose yesterday; and this day the clouds began to recede from my mind; I cannot tell from what cause.
David De Vries, “Room 103, small classroom…” (2001)
ENG 101
I heard his raspy old voice talking about a poem about a spider and he even looked like Frost but I was looking out the door out the window at the ultrablue sky and wondered about designs
A NOISELESS patient spider, I mark’d where on a little promontory it stood isolated, Mark’d how to explore the vacant vast surrounding, It launch’d forth filament, filament, filament, out of itself, Ever unreeling them, ever tirelessly speeding them.
And you O my soul where you stand, Surrounded, detached, in measureless oceans of space, Ceaselessly musing, venturing, throwing, seeking the spheres to connect them, Till the bridge you will need be form’d, till the ductile anchor hold, Till the gossamer thread you fling catch somewhere, O my soul.
WHEN you are old and gray and full of sleep And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace, And loved your beauty with love false or true; But one man loved the pilgrim soul in you, And loved the sorrows of your changing face.
And bending down beside the glowing bars, Murmur, a little sadly, how love fled And paced upon the mountains overhead, And hid his face amid a crowd of stars.
cf. photographs by Caseen Kyle Registos via Unsplash and Matheus Bertelli via Pexels (edited digital collage)
WEARY with toil, I haste me to my bed The dear repose for limbs with travel tired; But then begins a journey in my head To work my mind, when body’s work’s expir’d: For then my thoughts—from far where I abide— Intend a zealous pilgrimage to thee, And keep my drooping eyelids open wide, Looking on darkness which the blind do see: Save that my soul’s imaginary sight Presents thy shadow to my sightless view, Which, like a jewel hung in ghastly night, Makes black night beauteous and her old face new. Lo! thus, by day my limbs, by night my mind, For thee, and for myself no quiet find.
…when the sun went down and darkness was over all the earth, we got into the deep waters of the river Oceanus, where lie the land and city of the Cimmerians who live enshrouded in mist and darkness which the rays of the sun never pierce neither at his rising nor as he goes down again out of the heavens…
cf. photograph by Felix Russell-Saw via Unsplash (edited digital collage)
“Keats, walk a hundred yards over the rim”
Keats, leave the Piazza di Spagna walk a hundred yards over the rim I have your penicillin I won’t let you go there are more poems to write and she is still waiting for you
— J.S. (cf. “The Twilight Zone”, Season 2, Episode 23, 1961)
Green apples dancing in a wash of sun— Ripples of sense and fun— A net of light that wavers as it weaves The sunlight on the chattering leaves; The half-dazed sound of feet, And carriages that ripple in the heat. The parasols like shadows of the sun Cast wavering shades that run Across the laughing faces and across Hair with a bird-bright gloss. The swinging greenery casts shadows dark, Hides me that I may mark How, buzzing in this dazzling mesh, my soul Seems hardening it to flesh, and one bright whole. O sudden feathers have a flashing sheen! The sun’s swift javelin The bird-songs seem, that through the dark leaves pass; And life itself is but a flashing glass.
I come no more to make you laugh: things now, That bear a weighty and a serious brow, Sad, high, and working, full of state and woe, Such noble scenes as draw the eye to flow, We now present…
Alicia Chen, “Girl listening to music by window” (ca. 2015)
Music—the world that might be, and yet the world as it is. The heart comes out of hiding, saying to us: “Listen, you can say anything you want now. Here is the instrument.”
O ME! what eyes hath Love put in my head Which have no correspondence with true sight; Or, if they have, where is my judgment fled, That censures falsely what they see aright? If that be fair whereon my false eyes dote, What means the world to say it is not so? If it be not, then love doth well denote Love’s eye is not so true as all men’s: no. How can it? O! how can Love’s eye be true, That is so vex’d with watching and with tears? No marvel then, though I mistake my view; The sun itself sees not till heaven clears. O cunning Love! with tears thou keep’st me blind, Lest eyes well-seeing thy foul faults should find.
MINDFUL of you the sodden earth in spring, And all the flowers that in the springtime grow, And dusty roads, and thistles, and the slow Rising of the round moon, all throats that sing The summer through, and each departing wing, And all the nests that the bared branches show, And all winds that in any weather blow, And all the storms that the four seasons bring.
You go no more on your exultant feet Up paths that only mist and morning knew, Or watch the wind, or listen to the beat Of a bird’s wings too high in air to view,— But you were something more than young and sweet And fair,—and the long year remembers you.