“Flower-gathering”

cf. LIFE Magazine (1963)

I LEFT you in the morning,
And in the morning glow,
You walked a way beside me
To make me sad to go.
Do you know me in the gloaming,
Gaunt and dusty grey with roaming?
Are you dumb because you know me not,
Or dumb because you know?

All for me? And not a question
For the faded flowers gay
That could take me from beside you
For the ages of a day?
They are yours, and be the measure
Of their worth for you to treasure,
The measure of the little while
That I’ve been long away.

— Robert Frost

Just Don’t Want to Be Lonely

 

Love and Life: A Song

cf. CIO Magazine (1987)

All my past life is mine no more,
The flying hours are gone,
Like transitory dreams giv’n o’er,
Whose images are kept in store
By memory alone.

The time that is to come is not;
How can it then be mine?
The present moment’s all my lot;
And that, as fast as it is got,
Phyllis, is only thine.

Then talk not of inconstancy,
False hearts, and broken vows;
If I, by miracle, can be
This live-long minute true to thee,
’Tis all that Heav’n allows.

— John Wilmot Earl of Rochester

Hello It’s Me

Emily’s Epigram

cf. National Geographic Magazine (1952)

IT ’S all I have to bring to-day,
This, and my heart beside,
This, and my heart, and all the fields,
And all the meadows wide.
Be sure you count, should I forget,—
Some one the sun could tell,—
This, and my heart, and all the bees
Which in the clover dwell.

— Emily Dickinson


The Pleasure Principle

Amoretti and Epithalamion: Sonnet LXVI

cf. Nation’s Business Magazine (1970)

TO all those happy blessings, which ye have
With plenteous hand by heaven upon you thrown;
This one disparagement they to you gave,
That ye your love lent to so mean a one.
Ye, whose high worth’s surpassing paragon
Could not on earth have found one fit for mate,
Ne but in heaven matchable to none,
Why did ye stoop unto so lowly state?
But ye thereby much greater glory gat,
Than had ye sorted with a prince’s peer:
For, now your light doth more itself dilate,
And, in my darkness, greater doth appear.
Yet, since your light hath once illumined me,
With my reflex yours shall increased be.

— Edmund Spenser

Just Got Lucky

Far and Close

cf. LIFE Magazine (ca. 1970)

Far and Close

You

Look a while at me,

Look a while at a cloud.

I feel

You are far away while looking at me,

So very close while looking at the cloud.

— Gu Cheng (Tr. Morin)

Shower the People

On a Dream

cf. Cincinnati Magazine (1983)

As Hermes once took to his feathers light,
When lulled Argus, baffled, swoon’d and slept,
So on a Delphic reed, my idle spright
So play’d, so charm’d, so conquer’d, so bereft
The dragon-world of all its hundred eyes;
And seeing it asleep, so fled away,
Not to pure Ida with its snow-cold skies,
Nor unto Tempe where Jove griev’d that day;
But to that second circle of sad Hell,
Where in the gust, the whirlwind, and the flaw
Of rain and hail-stones, lovers need not tell
Their sorrows—pale were the sweet lips I saw,
Pale were the lips I kiss’d, and fair the form
I floated with, about that melancholy storm.

— Keats, On a Dream

Love’s Train

Was the past in color?

cf. Maclean’s Magazine (1987)

was the past in color?

1987 was in color
ablazedboldbrightbrilliant
bigger than life
but then again
it could have been
only black and white —
I can’t see in this light
late at night

— J.S.

Love T.K.O.

Butterflies Are Free

Maclean’s Magazine (1976)

Jill: I’m not so sure you can’t hurt him. Maybe more than anybody. (Crosses above table.) I think you deserve all the credit you can get for turning out a pretty marvelous guy—but bringing up a son—even a blind one—isn’t a lifetime occupation. (Mrs. Baker turns U., away from Jill.) Now the more you help him, the more you hurt him. It was Linda Fletcher—not you— (Mrs. Baker turns and looks at Jill Slowly.) who gave him the thing he needed most—confidence in himself. (Crossing away L.) You’re always dwelling on the negative—always what he needs, never what he wants … always what he can’t do, never what he can. (Crosses D. end of sofa.) What about his music? Have you heard the song he wrote? I’ll bet you didn’t even know he could write songs! (Crosses above table.) You’re probably dead right about me. I’m not the ideal girl for Don, but I know one thing—neither are you!! And if I’m going to tell anyone to go home, it’ll be you, Mrs. Baker. YOU go home!! (Turns and exits into her apartment, closing door behind her. Mrs. Baker watches her go.)

Oh Sherrie

Sherry

cf. Maclean’s Magazine (1968)

She laughed: ‘No, surely; am I not with you?’
And uttering that soft starry ‘you,’ she leaned
Her gentle body near him, looking up;
And from her eyes, as from a poison-cup,
He drank until the flittering eyelids screened…

— George Meredith, Modern Love: IX

Hard To Laugh

Takin’ Care Of Business

cf. Maclean’s Magazine (1964) and Maclean’s Magazine (1961)

If seriously I may convey my thoughts
In this my light deliverance, I have spoke
With one that in her sex, her years, profession,
Wisdom, and constancy hath amazed me more
Than I dare blame my weakness…

All’s Well That Ends Well

Takin’ Care Of Business

So thy great gift, upon misprision growing, comes home again, on better judgment making.

cf. Maclean’s Magazine (1962)

FAREWELL! thou art too dear for my possessing
And like enough thou know’st thy estimate:
The charter of thy worth gives thee releasing;
My bonds in thee are all determinate.
For how do I hold thee but by thy granting?
And for that riches where is my deserving?
The cause of this fair gift in me is wanting,
And so my patent back again is swerving.
Thyself thou gav’st, thy own worth then not knowing,
Or me, to whom thou gav’st it, else mistaking;
So thy great gift, upon misprision growing,
Comes home again, on better judgment making.
Thus have I had thee, as a dream doth flatter,
In sleep a king, but, waking, no such matter.

— Sonnet LXXXVII

Don’t Hurt Yourself

reverie

Cincinnati Magazine, 1982

They spoke in low tones, covered by the music. “Let us sit here, and look on, as though in a dream. For it is like a dream to me, that we are sitting like this…”

The Magic Mountain

Roberta Flack – Feel Like Makin’ Love [The Reflex Revision] by The Reflex

“parking lot denouement”

Maclean’s Magazine, 1970

parking lot denouement

the passionate shepherd stood next to his honda civic
juliet stood nearby
all the stars in the sky
time slowed down
our lives were suspended
just for a moment
at a point turning
and then you were gone
the parking lot was empty,
all the pleasures waiting to be proved

— J.S.

There She Goes

Sigh no more, ladies, sigh no more.

National Geographic, 1969

Sigh no more, ladies, sigh no more.
Men were deceivers ever,
One foot in sea, and one on shore,
To one thing constant never.
Then sigh not so, but let them go,
And be you blithe and bonny,
Converting all your sounds of woe
Into hey nonny, nonny.

Much Ado About Nothing

ACT I, SCENE III. [Enter POLONIUS]

Business Screen Magazine, 1973

Costly thy habit as thy purse can buy,
But not express’d in fancy; rich, not gaudy;
For the apparel oft proclaims the man…

Hamlet


I Got Ants In My Pants (And I Want To Dance) (Remix) by James Brown

I sing the body electric

Educational Screen And AudioVisual Guide, 1959

I SING the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the
soul.

Leaves of Grass


Blow My Fuse by Kix

Flat Tire (The Truth)

cf. LIFE, 1972

“…For you to wait like that was stupid and quite impermissible. But you aren’t angry with me, are you, because you waited in vain?”

“Well, it was rather hard, Clavdia, even for a man with detached passions — hard on me and hard-hearted of you to come back with him, because of course you knew from Behrens that I was still here, waiting for you. But I’ve told you that I think of that night simply as a dream, our dream…”

— Thomas Mann, The Magic Mountain
 

Flat Tire (The Truth) by Athenaeum

As You Like It

cf. LIFE, 1972

PHOEBE:
Good shepherd, tell this youth what ’tis to love.

SILVIUS:
It is to be all made of sighs and tears,
It is to be all made of faith and service,
It is to be all made of fantasy,
All made of passion and all made of wishes,
All adoration, duty, and observance,
All humbleness, all patience and impatience,
All purity, all trial, all observance…

As You Like It

“How would it be…if you were to pack your things tonight and be on your way with one of the scheduled express trains tomorrow morning?”

Cincinnati Magazine, 1977

“…In your twenty-fourth year, you say? Hmm … please permit me one more question, or if you will, a modest suggestion. Since your stay here appears not to be good for you — neither physically nor, if I am not mistaken, mentally — how would it be, if you were to forgo the pleasure of growing older here, in short, if you were to pack your things tonight and be on your way with one of the scheduled express trains tomorrow morning?”

“You mean I should leave?” Hans Castorp asked. “When I’ve only just arrived? But no, how can I possibly decide about that after only one day?”

And as he said it, quite by chance he caught a glimpse of Frau Chauchat in the next room…

—Thomas Mann, The Magic Mountain

The Cocktail Party

cf. LIFE, 1964

UNIDENTIFIED GUEST: Your wife has left you?

EDWARD: Without warning, of course;
Just when she’d arranged a cocktail party.
She’d gone when I came in, this afternoon.
She left a note to say that she was leaving me;
But I don’t know where she’s gone…

—T.S. Eliot, The Cocktail Party

“It was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person…”

LIFE, 1969

…some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away…it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again.

—F. Scott Fitzgerald, The Great Gatsby

“Lastly, dance records were put in…”

LIFE, 1972

Lastly, dance records were put in. There were specimens of the new imported dance, the tango, calculated to make a Viennese waltz sound sedate and grandfatherly by contrast. Two couples displayed the fashionable steps. Behrens having by now withdrawn, with the admonition that a needle should be used no more than once, and the whole instrument handled “as though it were made of eggs.” Hans Castorp took his place as operator…

—Thomas Mann, The Magic Mountain
 

Indeep – “Last Night A Dj Saved My Life”

Cleopatra

Cincinnati Magazine, 1971

The barge she sat in, like a burnish’d throne,
Burn’d on the water: the poop was beaten gold;
Purple the sails, and so perfumed that
The winds were love-sick with them; the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes. For her own person,
It beggar’d all description: she did lie
In her pavilion–cloth-of-gold of tissue–
O’er-picturing that Venus where we see
The fancy outwork nature: on each side her
Stood pretty dimpled boys, like smiling Cupids,
With divers-colour’d fans, whose wind did seem
To glow the delicate cheeks which they did cool,
And what they undid did.

Antony and Cleopatra
 

“VENUS” :: Shocking Blue by MARVEN Feat Sarah-jane

Switchin’ To Glide

LIFE, 1972

“Ho-Ho! my valiant page!
Bring hither Pegasus, and let me ride;
Smooth the winged-charger’s ruffled mane,
Tighten the curb, and let the loosen’d rein
Hang loose no more!
Bring hither Pegasus, and I will soar,
With my proud courser well in hand,
Into the presence of that fairyland
Wherein the far hills brood in the still mist
And the laughter-ripple of the mere is kissed
By the bright-eyed orb of day:
Now make good speed, my page…”

—William Wilson, “Pegasus in Lakeland”

“And Wilt Thou Leave Me Thus?”

cf. Cincinnati Magazine, 1971

And wilt thou leave me thus?
Say nay, say nay, for shame,
To save thee from the blame
Of all my grief and grame;
And wilt thou leave me thus?
Say nay, say nay!

And wilt thou leave me thus,
That hath loved thee so long
In wealth and woe among?
And is thy heart so strong
As for to leave me thus?
Say nay, say nay!

And wilt thou leave me thus,
That hath given thee my heart
Never for to depart,
Nother for pain nor smart;
And wilt thou leave me thus?
Say nay, say nay!

And wilt thou leave me thus
And have no more pity
Of him that loveth thee?
Hélas, thy cruelty!
And wilt thou leave me thus?
Say nay, say nay!

—Sir Thomas Wyatt

And all through my coffee break time…

LIFE, 1955

Alter? When the hills do.
Falter? When the sun
Question if his glory
Be the perfect one.
Surfeit? When the daffodil
Doth of the dew:
Even as herself, O friend!
I will of you!

–Emily Dickinson

“They resolved to persevere in dissipation for the rest of the day…”

cf. LIFE (1967)

One night when Beauclerk and Langton had supped at a tavern in London, and sat till about three in the morning, it came into their heads to go and knock up Johnson, and see if they could prevail on him to join them in a ramble. They rapped violently at the door of his chambers in the Temple, till at last he appeared in his shirt, with his little black wig on the top of his head, instead of a nightcap, and a poker in his hand, imagining, probably, that some ruffians were coming to attack him. When he discovered who they were, and was told their errand, he smiled, and with great good humour agreed to their proposal: ‘What, is it you, you dogs! I’ll have a frisk with you.’ He was soon drest, and they sallied forth together into Covent-Garden…They then repaired to one of the neighbouring taverns, and made a bowl of that liquor called Bishop, which Johnson had always liked; while in joyous contempt of sleep, from which he had been roused, he repeated the festive lines,
‘Short, O short then be thy reign,
And give us to the world again!’
They did not stay long, but walked down to the Thames, took a boat, and rowed to Billingsgate. Beauclerk and Johnson were so well pleased with their amusement, that they resolved to persevere in dissipation for the rest of the day…

Boswell’s Life Of Johnson