The Book Of The Courtier

cf. Maclean’s Magazine (1969)

…the custom of all the gentlemen of the house was to betake themselves straightway after supper to my lady Duchess; where, among the other pleasant pastimes and music and dancing that continually were practiced, sometimes neat questions were proposed, sometimes ingenious games were devised at the choice of one or another, in which under various disguises the company disclosed their thoughts figuratively to whom they liked best.

— Castiglione, “The Book Of The Courtier” (1528)


Queen of Hearts

And Still I Give Thanks

A reminder that the smallest things are the biggest things for which to give thanks…

"ARE YOU THERE, ERMA? IT'S ME, SYLVIA."

Sylvia and Erma are spending the day with their respective families – giving thanks for the meal they’ll share, the orderly chaos of the kitchens, and their children who wish to forego the turkey for the pies that have been freshly extracted from the oven. And without a doubt, as these women sit down with their broods, however big or small, they take at least a second if not a hundred to give thanks for each other and their bond of friendship. And as I prepare the Thanksgiving feast, I’m thinking about how we all count our blessings on this day- love, health, family, friendship, peace, freedom, etc. but too often forget the little things, all of the tidbits that create the essence of our daily lives.
Thanks.

For dinner even when it’s out of a box or take-out. For the compliment whether it is “I like your shoes” or…

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Il fuoco dell’amore

Thomas J. O’Halloran, “Students leaving school” (1977)

Ne regarde pas la figure,
Jeune fille, regarde le cœur.
Le cœur d’un beau jeune homme est souvent difforme.
Il y a des cœurs où l’amour ne se conserve pas.

Jeune fille, le sapin n’est pas beau,
N’est pas beau comme le peuplier,
Mais il garde son feuillage l’hiver…

— Victor Hugo, Notre-Dame de Paris

The First Cut Is the Deepest

A Painful Case

Photograph by Etienne Boulanger via Unsplash

It was after nine o’clock when he left the shop. The night was cold and gloomy. He entered the Park by the first gate and walked along under the gaunt trees. He walked through the bleak alleys where they had walked four years before. She seemed to be near him in the darkness. At moments he seemed to feel her voice touch his ear, her hand touch his. He stood still to listen. Why had he withheld life from her?…He felt his moral nature falling to pieces.

— Joyce, from Dubliners

Mandolin Rain

Love and Life: A Song

cf. CIO Magazine (1987)

All my past life is mine no more,
The flying hours are gone,
Like transitory dreams giv’n o’er,
Whose images are kept in store
By memory alone.

The time that is to come is not;
How can it then be mine?
The present moment’s all my lot;
And that, as fast as it is got,
Phyllis, is only thine.

Then talk not of inconstancy,
False hearts, and broken vows;
If I, by miracle, can be
This live-long minute true to thee,
’Tis all that Heav’n allows.

— John Wilmot Earl of Rochester

Hello It’s Me

Epistle from Mrs. Yonge to Her Husband

cf. Microcomputing Magazine (1981)

Think not this paper comes with vain pretense
To move your pity, or to mourn th’ offense.
Too well I know that hard obdurate heart;
No softening mercy there will take my part,
Nor can a woman’s arguments prevail,
When even your patron’s wise example fails.
But this last privilege I still retain;
Th’ oppressed and injured always may complain…

— Lady Mary Wortley Montagu

Emily’s Epigram

cf. National Geographic Magazine (1952)

IT ’S all I have to bring to-day,
This, and my heart beside,
This, and my heart, and all the fields,
And all the meadows wide.
Be sure you count, should I forget,—
Some one the sun could tell,—
This, and my heart, and all the bees
Which in the clover dwell.

— Emily Dickinson


The Pleasure Principle

Amoretti and Epithalamion: Sonnet LXVI

cf. Nation’s Business Magazine (1970)

TO all those happy blessings, which ye have
With plenteous hand by heaven upon you thrown;
This one disparagement they to you gave,
That ye your love lent to so mean a one.
Ye, whose high worth’s surpassing paragon
Could not on earth have found one fit for mate,
Ne but in heaven matchable to none,
Why did ye stoop unto so lowly state?
But ye thereby much greater glory gat,
Than had ye sorted with a prince’s peer:
For, now your light doth more itself dilate,
And, in my darkness, greater doth appear.
Yet, since your light hath once illumined me,
With my reflex yours shall increased be.

— Edmund Spenser

Just Got Lucky

On a Dream

cf. Cincinnati Magazine (1983)

As Hermes once took to his feathers light,
When lulled Argus, baffled, swoon’d and slept,
So on a Delphic reed, my idle spright
So play’d, so charm’d, so conquer’d, so bereft
The dragon-world of all its hundred eyes;
And seeing it asleep, so fled away,
Not to pure Ida with its snow-cold skies,
Nor unto Tempe where Jove griev’d that day;
But to that second circle of sad Hell,
Where in the gust, the whirlwind, and the flaw
Of rain and hail-stones, lovers need not tell
Their sorrows—pale were the sweet lips I saw,
Pale were the lips I kiss’d, and fair the form
I floated with, about that melancholy storm.

— Keats, On a Dream

Love’s Train

Of this worlds Theatre in which we stay

Zach Muhlbauer, “Wyeth Eyewear” (2019)

Of this worlds Theatre in which we stay,
My love lyke the Spectator ydly sits
Beholding me that all the pageants play,
Disguysing diversly my troubled wits.
Sometimes I joy when glad occasion fits,
And mask in myrth lyke to a Comedy:
Soone after when my joy to sorrow flits,
I waile and make my woes a Tragedy.
Yet she beholding me with constant eye,
Delights not in my merth nor rues my smart:
But when I laugh she mocks, and when I cry
She laughes, and hardens evermore her hart.
What then can move her? if not merth nor mone,
She is no woman, but a sencelesse stone.

— Edmund Spenser, “Amoretti LIV: Of this worlds Theatre in which we stay”

Sin City

The Memory Of Laura

Kaye, “Plymouth Savoy in Australia” (ca. 1950s)

O joyous, blossoming, ever-blessed flowers!
’Mid which my pensive queen her footstep sets;
O plain, that hold’st her words for amulets
And keep’st her footsteps in thy leafy bowers!
O trees, with earliest green of springtime hours,
And all spring’s pale and tender violets!
O grove, so dark the proud sun only lets
His blithe rays gild the outskirts of thy towers!
O pleasant country-side! O limpid stream,
That mirrorest her sweet face, her eyes so clear,
And of their living light canst catch the beam!
I envy thee her presence pure and dear.
There is no rock so senseless but I deem
It burns with passion that to mine is near.

— Petrarch (Tr. Higginson)

Heaven Help Me

“A Complaint by Night of the Lover not beloved”

cf. Video by Welton Souza via Pexels

ALAS! so all things now do hold their peace!
Heaven and earth disturbed in no thing;
The beasts, the air, the birds their song do cease,
The nightès car the stars about doth bring.
Calm is the sea; the waves work less and less:
So am not I, whom love, alas! doth wring,
Bringing before my face the great increase
Of my desires, whereat I weep and sing,
In joy and woe, as in a doubtful ease.
For my sweet thoughts sometime do pleasure bring;
But by and by, the cause of my disease
Gives me a pang, that inwardly doth sting,
When that I think what grief it is again,
To live and lack the thing should rid my pain.

— Henry Howard, Earl of Surrey, “A Complaint by Night of the Lover not beloved”

Nights Are Forever Without You

Was the past in color?

cf. Maclean’s Magazine (1987)

was the past in color?

1987 was in color
ablazedboldbrightbrilliant
bigger than life
but then again
it could have been
only black and white —
I can’t see in this light
late at night

— J.S.

Love T.K.O.

A Modern Odyssey: Book V

Maclean’s Magazine (1969)

But Minerva resolved to help Ulysses, so she bound the ways of all the winds except one, and made them lie quite still; but she roused a good stiff breeze from the North that should lay the waters till Ulysses reached the land of the Phaeacians where he would be safe…

While he was thus in two minds a wave caught him and took him with such force against the rocks that he would have been smashed and torn to pieces if Minerva had not shown him what to do…

Here poor Ulysses would have certainly perished even in spite of his own destiny, if Minerva had not helped him to keep his wits about him…

Then, as one who lives alone in the country, far from any neighbor, hides a brand as fire-seed in the ashes to save himself from having to get a light elsewhere, even so did Ulysses cover himself up with leaves; and Minerva shed a sweet sleep upon his eyes, closed his eyelids, and made him lose all memories of his sorrows.

Shadows Of The Night

Butterflies Are Free

Maclean’s Magazine (1976)

Jill: I’m not so sure you can’t hurt him. Maybe more than anybody. (Crosses above table.) I think you deserve all the credit you can get for turning out a pretty marvelous guy—but bringing up a son—even a blind one—isn’t a lifetime occupation. (Mrs. Baker turns U., away from Jill.) Now the more you help him, the more you hurt him. It was Linda Fletcher—not you— (Mrs. Baker turns and looks at Jill Slowly.) who gave him the thing he needed most—confidence in himself. (Crossing away L.) You’re always dwelling on the negative—always what he needs, never what he wants … always what he can’t do, never what he can. (Crosses D. end of sofa.) What about his music? Have you heard the song he wrote? I’ll bet you didn’t even know he could write songs! (Crosses above table.) You’re probably dead right about me. I’m not the ideal girl for Don, but I know one thing—neither are you!! And if I’m going to tell anyone to go home, it’ll be you, Mrs. Baker. YOU go home!! (Turns and exits into her apartment, closing door behind her. Mrs. Baker watches her go.)

Oh Sherrie

I know it—and to know it is despair

Bright Star (2009)

The time is passed when I had power to advise and warn you against the unpromising morning of my Life—My love has made me selfish.

— Letter from Keats to Fanny Brawne

Love Lies Bleeding

Who goes with Fergus?

(1963)

Who will go drive with Fergus now,
And pierce the deep wood’s woven shade,
And dance upon the level shore?
Young man, lift up your russet brow,
And lift your tender eyelids, maid,
And brood on hopes and fear no more.

And no more turn aside and brood
Upon love’s bitter mystery;
For Fergus rules the brazen cars,
And rules the shadows of the wood,
And the white breast of the dim sea
And all dishevelled wandering stars.

— Yeats

Return of the Mack

Bipolar Depression II

cf. photograph by Gerd Altmann via Pixabay (edit)

This is the debt I pay
Just for one riotous day,
Years of regret and grief,
Sorrow without relief.

Pay it I will to the end —
Until the grave, my friend,
Gives me a true release —
Gives me the clasp of peace.

Slight was the thing I bought,
Small was the debt I thought,
Poor was the loan at best —
God! but the interest!

— Paul Laurence Dunbar, The Debt

Lithium

Invictus

cf. photograph by Denis Streltsov via Pixabay (edit, modification and 3D recomposition by me)

OUT of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul…

— William Ernest Henley, Invictus

Back In Black

“The Tin Bird”

cf. photograph by Pixabay via Pexels

There is an amazing bird:
its beak an old umbrella
its body nothing but empty tins
of corned beef and sardines.

It sees with the eyes
of a doll now broken and forgotten.
Its nest is a dump all smelly and rotten.

When the moon rises like a cradle in the sky,
the bird flies and sings and cries:

Sleepytimes, little sleepy heads
of those who have no food.
I am the angel of your dreams.
I am the birdsong of your sighs.

Ugly as I am,
all rusted and torn,
my song is sweet,
my friendship even sweeter.

Sleepytime, sleepytime, o beloved children.
I watch over babies who know no pillows,
over the little sleepyheads who have no suppers.

— Ramón C. Sunico, “The Tin Bird” (Tr. by the poet)

25 Organizations Dedicated to Fight Hunger

Man in the Mirror

It Never Gets Old

I am sharing another inspirational post from one of my favorite blogs, “ARE YOU THERE, ERMA? IT’S ME, SYLVIA.”

"ARE YOU THERE, ERMA? IT'S ME, SYLVIA."

Sylvia loved the simplicity and easiness of holding Cam’s hand. More telling for her though than the actual act of holding his hand was the idea that he wanted her. Her hand in his. He desired her touch and invited her into the moment and into a new chapter in her own life.
Like Sylvia, I love holding hands. I giggle at the thought of it. There’s a playful energy and a sense of youthfulness about holding hands. Hold my hand when we cross the street. I’ll hold yours during the scary parts. Take my hand in yours, and let’s make a run for it! Keep me safe. Lovers. Friends. Spouses. Playmates. Parents and children. Anyone and everyone. Anywhere and everywhere.
If I had to choose a universal way of communicating care, empathy, love, friendship, and all that makes my soul burgeon with emotion, it would be by holding hands…

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Lifelines and Memories

A wonderful post from one of my favorite blogs — “ARE YOU THERE, ERMA? IT’S ME, SYLVIA.”

"ARE YOU THERE, ERMA? IT'S ME, SYLVIA."

Sylvia and Erma are swapping stories over coffee this morning and sharing some of their favorite memories. The longtime friends and stalwart supporters of each other’s dreams agree that they are not living in the past or pining for the future at all. They use the memories and aspirations they have to garner strength and save themselves and each other on the tough days.

************************
“You may grow to love this person but remember they are not yours to keep. Their purpose isn’t to save you but to show you how to save yourself. And once this is fulfilled; the halo lifts and the angel leaves their body as the person exits your life.”
~Lang Leav

Two decades ago…they blinked.

View original post

I am looped in the loops of her hair

Photograph by Les Anderson via Unsplash

I WHISPERED, ‘I am too young,’
And then, ‘I am old enough’;
Wherefore I threw a penny
To find out if I might love.
‘Go and love, go and love, young man,
If the lady be young and fair,’
Ah, penny, brown penny, brown penny,
I am looped in the loops of her hair.

Oh, love is the crooked thing,
There is nobody wise enough
To find out all that is in it,
For he would be thinking of love
Till the stars had run away,
And the shadows eaten the moon.
Ah, penny, brown penny, brown penny,
One cannot begin it too soon.

— Yeats, The Young Man’s Song

Inside Out

My wheel is in the dark

Image by Myriam Zilles via Pixabay

MY Wheel is in the dark,—
I cannot see a spoke,
Yet know its dripping feet
Go round and round.

My foot is on the tide—
An unfrequented road,
Yet have all roads
A “clearing” at the end.

Some have resigned the Loom,
Some in the busy tomb
Find quaint employ,
Some with new, stately feet
Pass royal through the gate,
Flinging the problem back at you and I.

— Emily Dickinson

Part of the Plan

“recuerdo”

Photograph by Juliane Mergener via Unsplash

recuerdo

upon a violin
Sentio, ergo sum
my musical Descartes
each song
deeper
deeper
deeper
into my heart
mercy I cried
but in her lantern slide
did see my life
as though magnified

— J.S.

Killing Me Softly With Her Song

Insomnia

Image by Arek Socha via Pixabay

Thin are the night-skirts left behind
By daybreak hours that onward creep,
And thin, alas! the shred of sleep
That wavers with the spirit’s wind:
But in half-dreams that shift and roll
And still remember and forget,
My soul this hour has drawn your soul
A little nearer yet.

Our lives, most dear, are never near,
Our thoughts are never far apart,
Though all that draws us heart to heart
Seems fainter now and now more clear.
To-night Love claims his full control,
And with desire and with regret
My soul this hour has drawn your soul
A little nearer yet.

Is there a home where heavy earth
Melts to bright air that breathes no pain,
Where water leaves no thirst again
And springing fire is Love’s new birth?
If faith long bound to one true goal
May there at length its hope beget,
My soul that hour shall draw your soul
For ever nearer yet.

— Dante Gabriel Rossetti, Insomnia

Sun And Moon

The Darkling Thrush

Photograph by Mateo Avila Chinchilla via Unsplash

So little cause for carollings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessèd Hope, whereof he knew
And I was unaware.

— Thomas Hardy, The Darkling Thrush (excerpt)

Bad Reputation

To Fanny

cf. TV Commercial

I know it—and to know it is despair
To one who loves you as I love, sweet Fanny,
Whose heart goes fluttering for you every where,
Nor when away you roam,
Dare keep its wretched home:
Love, love alone, has pains severe and many;
Then, loveliest! keep me free
From torturing jealousy.

— Keats, “To Fanny”

What’s Her Name Today?

dreamless

cf. photograph by Toni Frissell, “Weeki Wachee spring, Florida” (underwater view of a woman, wearing a long gown, floating in water) (1947) and video (underwater seabed light) by motionstock via Pixabay (edited collage by me)

I placed my dream in a boat
and the boat into the sea;
then I ripped the sea with my hands
so that my dream would sink.

My hands are still wet
with the blue of the slashed waves,
and the color that runs from my fingers
colors the deserted sands.

The wind arrives from far away,
night bends itself with the cold;
under the water in a boat
my dream is dying away.

I’ll cry as much as necessary
to make the sea grow
so that my boat will sink to the bottom
and my dream disappear…

— Cecilia Meireles, “Song” (Tr. Giacomelli)

Jackie Blue

The Waiting Game

WHEN you are very old, at evening
You’ll sit and spin beside the fire, and say,
Humming my songs, “Ah well, ah well-a-day!
When I was young, of me did Ronsard sing.”
None of your maidens that doth hear the thing,
Albeit with her weary task foredone,
But wakens at my name, and calls you one
Blest, to be held in long remembering.

I shall be low beneath the earth, and laid
On sleep, a phantom in the myrtle shade,
While you beside the fire, a grandame grey,
My love, your pride, remember and regret;
Ah, love me, love! we may be happy yet,
And gather roses, while ’tis called to-day.

— Pierre de Ronsard, “Of His Lady’s Old Age” (Tr. Lang)

The Waiting Game

A Late Walk

Rainy day, Paris, August, 1984

WHEN I go up through the mowing field,
The headless aftermath,
Smooth-laid like thatch with the heavy dew,
Half closes the garden path.

And when I come to the garden ground,
The whir of sober birds
Up from the tangle of withered weeds
Is sadder than any words.

A tree beside the wall stands bare,
But a leaf that lingered brown,
Disturbed, I doubt not, by my thought,
Comes softly rattling down.

I end not far from my going forth
By picking the faded blue
Of the last remaining aster flower
To carry again to you.

— Robert Frost, “A Late Walk”

Another Park Another Sunday

ephemera

cf. Maclean’s Magazine (1970)

Tide be runnin’ the great world over:
T’was only last June month I mind that we
Was thinkin’ the toss and the call in the breast of the lover
So everlastin’ as the sea.

Heer’s the same little fishes that sputter and swim,
Wi’ the moon’s old glim on the grey, wet sand;
An’ him no more to me nor me to him
Than the wind goin’ over my hand.

— Charlotte Mew, “Sea Love”

I Can’t Make You Love Me

“Poetry Was Like This”

David Stroble, “Students at Band Practice at Cathedral High School…” (ca. 1975)

Poetry was the memory of adolescence…
Poetry was Ayesha Akhter of my village school
with her long loose flowing hair.

— Al Mahmud, “Poetry Was Like This” (Tr. Chowdhury)

Baby, Now That I’ve Found You

“Wanting to Move”

Image by Niek Verlaan via Pixabay

Continually, a bell rings in my heart.
I was supposed to go somewhere, to some other place,
Tense from the long wait—
Where do you go, will you take me
“With you, on your horses, down the river, with the flame
of your torches?”

They burst out laughing.
“A tree wanting to move from place to place!”
Startled, I look at myself—
A tree, wanting to move from place to place, a tree
Wanting to move? Am I then—
Born here, to die here
Even die here?
Who rings the bell, then, inside my heart?
Who tells me to go, inside my heart?
Who agitates me, continually, inside my heart?

— Vijaya Mukhopadhyay, “Wanting to Move”

There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy.

cf. photograph by Nathan Anderson via Unsplash

One day I asked the mirror facing me,
Friend, what’s true?…

How about my heart, mirror?…

Silence.

O mirror, I see.

I need a human friend
True enough
To reflect my heart.

— Tialuga Sunia Seloti

Stand by Me

She moves me

cf. Maclean’s Magazine (1970)

HAVE you got a brook in your little heart…
Then look out for the little brook in March,
When the rivers overflow,
And the snows come hurrying from the hills,
And the bridges often go…

— Emily Dickinson

Something in the Way She Moves

“House of Spring”

cf. Photographs via Unsplash and Pexels

Hundreds of open flowers
all come from
the one branch
Look
all their colors
appear in my garden
I open the clattering gate
and in the wind
I see
the spring sunlight
already it has reached
worlds without number

— Musō Soseki (Tr. Merwin & Shigematsu)

I Just Want To Celebrate

When I was stone blue I knew what to do.

cf. National Geographic Magazine (1948)

EXERT thy voice, sweet harbinger of Spring!
This moment is thy time to sing,
This moment I attend to praise,
And set my numbers to thy lays.
Free as thine shall be my song;
As thy music, short or long.

Poets wild as thee were born,
Pleasing best when unconfined,
When to please is least designed,
Soothing but their cares to rest:
Cares do still their thoughts molest,
And still th’ unhappy poet’s breast,

Like thine, when best he sings, is placed against a thorn.
She begins, let all be still!
Muse, thy promise now fulfil!
Sweet, oh sweet! still sweeter yet!

— Anne Finch, Countess of Winchilsea, “To the Nightingale” (excerpt)

Stone Blue

coping: perspective

Photograph by Ioannis Ioannidis via Pixabay

A few light taps upon the pane made him turn to the window. It had begun to snow again. He watched sleepily the flakes, silver and dark, falling obliquely against the lamplight. The time had come for him to set out on his journey westward. Yes, the newspapers were right: snow was general all over Ireland. It was falling on every part of the dark central plain, on the treeless hills, falling softly upon the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves…

— from Dubliners, James Joyce

And the operator said, “May I help you please?”

National Geographic Magazine (1948)

I waited all night, I remember that
smoked a cigarette
watched TV
went out and saw some friends
drove by your house
went to a bar and had a beer
got back home and tried to sleep…

— J.S.

I knocked the phone off the nightstand
And the operator said, “May I help you please?”
and I said “No thanks, baby tonight there ain’t no help for me —
see I just had a bad dream, that’s all that’s wrong with me
see I just had a bad dream.”

Crying In My Sleep