“Delia 1: Unto the boundless Ocean of thy beauty”

Maclean’s Magazine (1967)

Unto the boundless Ocean of thy beauty
Runs this poor river, charged with streams of zeal:
Returning thee the tribute of my duty,
Which here my love, my youth, my plaints reveal.
Here I unclasp the book of my charged soul,
Where I have cast th’accounts of all my care:
Here have I summed my sighs, here I enroll
How they were spent for thee; look what they are.
Look on the dear expenses of my youth,
And see how just I reckon with thine eyes:
Examine well thy beauty with my truth,
And cross my cares ere greater sum arise.
Read it sweet maid, though it be done but slightly;
Who can show all his love, doth love but lightly.

— Samuel Daniel, “Delia 1: Unto the boundless Ocean of thy beauty”

The Strawberry Blonde

‘Cause when I get close to you, not much to say.

Warren K. Leffler, “Teen age [i.e., teenage] economy” (detail) (1964)

Love, therefore, and tongue-tied simplicity
In least speak most, to my capacity.

A Midsummer Night’s Dream

It’s Easy

Rip Van Winkle

Northeastern University, Course Catalog (1973-74)

Tired I feel now. Will I get up? O wait… She kissed me. Never again. My youth. Only once it comes. Or hers. Take the train there tomorrow. No. Returning not the same. Like kids your second visit to a house. The new I want. Nothing new under the sun. Care of P. O. Dolphin’s Barn. Are you not happy in your? Naughty darling. At Dolphin’s barn charades in Luke Doyle’s house. Mat Dillon and his bevy of daughters: Tiny, Atty, Floey, Maimy, Louy, Hetty. Molly too. Eightyseven that was. Year before we. And the old major, partial to his drop of spirits. Curious she an only child, I an only child. So it returns. Think you’re escaping and run into yourself. Longest way round is the shortest way home. And just when he and she. Circus horse walking in a ring. Rip van Winkle we played. Rip: tear in Henny Doyle’s overcoat. Van: breadvan delivering. Winkle: cockles and periwinkles. Then I did Rip van Winkle coming back. She leaned on the sideboard watching. Moorish eyes. Twenty years asleep in Sleepy Hollow. All changed. Forgotten. The young are old…

— Joyce, Ulysses

Strawberry Wine

Say I’m growing old, but add…

John Collier, Jr., “Washington Hot Shoppe restaurant” (detail) (1941)

Jenny kiss’d me when we met,
Jumping from the chair she sat in;
Time, you thief, who love to get
Sweets into your list, put that in!
Say I’m weary, say I’m sad,
Say that health and wealth have miss’d me,
Say I’m growing old, but add,
Jenny kiss’d me.

— Leigh Hunt

I Wanna Be With You

That summer

cf. American Scenery publishing company, “Top Corridor of Palace Hotel” (ca. 1850s–1910s)

April 15. Met her today point blank in Grafton Street. The crowd brought us together. We both stopped. She asked me why I never came, said she had heard all sorts of stories about me. This was only to gain time. Asked me was I writing poems? About whom? I asked her. This confused her more and I felt sorry and mean. Turned off that valve at once and opened the spiritual-heroic refrigerating apparatus, invented and patented in all countries by Dante Alighieri. Talked rapidly of myself and my plans. In the midst of it unluckily I made a sudden gesture of a revolutionary nature. I must have looked like a fellow throwing a handful of peas into the air. People began to look at us. She shook hands a moment after and, in going away, said she hoped I would do what I said.
Now I call that friendly, don’t you?
Yes, I liked her today. A little or much? Don’t know. I liked her and it seems a new feeling to me. Then, in that case, all the rest, all that I thought I thought and all that I felt I felt, all the rest before now, in fact… O, give it up, old chap! Sleep it off!

— Joyce, A Portrait of the Artist as a Young Man

To Each His Own

“There’s the thrush again…”

LIFE, 1965

…as he lay trying desperately to put poetry, ambition, and Fanny Brawne out of his mind, suddenly an early thrush had appeared…

Walter Jackson Bate, John Keats

“More Than a Feeling” – Boston

“But then I found myself one winter afternoon remembering a quiet morning in a classroom…”

David Stroble, “Students and Teacher in a Classroom…” (ca. 1975)

But then I found myself one winter afternoon
Remembering a quiet morning in a classroom
And inventing everything again, in ordinary
Terms that seemed to comprehend a childish
Dream of love, and then the loss of love,
And all the intricate years between.

—John Koethe, “Falling Water” (excerpt)

“The other was an earthenware pot, coarse and common, but which had preserved all its water, and its flowers remained fresh and crimson…”

Esther Bubley, “…talking with some friends near her locker…” (1943)

Sometimes, in the evening, she heard a voice, concealed beneath the wind screen of the bell tower, singing a sad, strange song, as though to lull her to sleep. The lines were unrhymed, such as a deaf person can make.

“Look not at the face, young girl, look at the heart.
The heart of a handsome young man is often deformed.
There are hearts in which love does not keep.
Young girl, the pine is not beautiful; it is not beautiful like the poplar, but it keeps its foliage in winter…”

One morning, on awaking, she saw on her window two vases filled with flowers. One was a very beautiful and very brilliant but cracked vase of glass. It had allowed the water with which it had been filled to escape, and the flowers which it contained were withered. The other was an earthenware pot, coarse and common, but which had preserved all its water, and its flowers remained fresh and crimson…

—Victor Hugo, The Hunchback of Notre Dame

“Some woman, who knows what that self was, in whom it still lives a little.”

cf. photograph by Yoann Boyer via Unsplash

“…the situation of the man of genius who, in some accursed hour of his youth, has bartered away the fondest vision of that youth and lives ever afterwards in the shadow of the bitterness of the regret…the fancy of his recovering a little of the lost joy, of the Dead Self, in his intercourse with some person, some woman, who knows what that self was, in whom it still lives a little.”

The Notebooks of Henry James

The Folly Of Being Comforted

cf. Home Movie

One that is ever kind said yesterday:
“Your well beloved’s hair has threads of grey,
And little shadows come about her eyes;
Time can but make it easier to be wise,
Though now it’s hard, till trouble is at an end;
And so be patient, be wise and patient, friend.”
But heart, there is no comfort, not a grain;
Time can but make her beauty over again,
Because of that great nobleness of hers;
The fire that stirs about her, when she stirs
Burns but more clearly. O she had not these ways,
When all the wild Summer was in her gaze.
O heart! O heart! if she’d but turn her head,
You’d know the folly of being comforted.

–Yeats, The Folly of Being Comforted

“Have you noticed a change in Steve?”

Eastman Kodak Company, “How to make good movies…” (1938)

“Have you noticed a change in Steve?
Boy, I have!
Oh, It’s wonderful, I’ll tell ya!”

–Entry from girl’s diary (ca. 1961) quoted in Thomas Mallon, A Book of One’s Own: People and Their Diaries

Reading “Ivy Day In The Committee Room” On The Train, November, 1980

cf. Lottie, “Train view” (2012)

Reading “Ivy Day In The Committee Room” On The Train, November, 1980

his face lapsed into darkness but, as he set himself to fan the fire again, his crouching shadow ascended the opposite wall and his face slowly reemerged into light. It was

a gray day with an almost constant and heavy rain beating down against the train window.

“What are you doing in the dark?” asked a voice.

The cabin lights were off. I stared at the distant red signal light in the mist and felt a chill. I fumbled for my book.

A denuded room came into view and the fire lost all its cheerful colour. The walls of the room were bare except for a

smoking compartment sign. I was alone. A voice asked for my ticket.

“Is that you, Hynes?” asked Mr. O’Connor.
“Yes. What are you doing in the dark?” said Mr. Hynes. advancing into the light of the fire.

The train pulled out of the station and I thought about what you said.

“Tell me,” he said across the fire, “what brings our friend in here? What does he want?”

I guess I just wanted to see you one last time.

“What age are you?” he asked.
“Seventeen,” said the boy.

As the train slowed into the station I looked for you. A man was getting into his car and heading home.

“Tell me, John,” said Mr. O’Connor, lighting his cigarette with another pasteboard card.
“Hm? ”
“What he is exactly?”
“Ask me an easier one,” said Mr. Henchy.

–J.S.

“He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city…”

Abul Haque, “Students Arriving By School Bus…” (ca. 1976)

And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.

—F. Scott Fitzgerald, The Great Gatsby

A girl comes towards you
You once used to know
You reach out your hand
But you’re all alone…