photograph by Isi Parente via Unsplash
“…but now I have a particular reason for wishing to hear all about the fire. Was it suspected that this lunatic, Mrs. Rochester, had any hand in it?”
“You’ve hit it, ma’am: it’s quite certain that it was her, and nobody but her, that set it going…”
— Charlotte Brontë, Jane Eyre
cf. Maclean’s Magazine (1969)
…the custom of all the gentlemen of the house was to betake themselves straightway after supper to my lady Duchess; where, among the other pleasant pastimes and music and dancing that continually were practiced, sometimes neat questions were proposed, sometimes ingenious games were devised at the choice of one or another, in which under various disguises the company disclosed their thoughts figuratively to whom they liked best.
— Castiglione, “The Book Of The Courtier” (1528)
Queen of Hearts
Warren K. Leffler, “New York Scenes” (1969)
Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may…
— Andrew Marvell
cf. Australian Women’s Weekly Magazine (1948)
MY mistress’ eyes are nothing like the sun…
And yet, by heaven, I think my love as rare
As any she belied with false compare.
Zach Muhlbauer, “Wyeth Eyewear” (2019)
Of this worlds Theatre in which we stay,
My love lyke the Spectator ydly sits
Beholding me that all the pageants play,
Disguysing diversly my troubled wits.
Sometimes I joy when glad occasion fits,
And mask in myrth lyke to a Comedy:
Soone after when my joy to sorrow flits,
I waile and make my woes a Tragedy.
Yet she beholding me with constant eye,
Delights not in my merth nor rues my smart:
But when I laugh she mocks, and when I cry
She laughes, and hardens evermore her hart.
What then can move her? if not merth nor mone,
She is no woman, but a sencelesse stone.
— Edmund Spenser, “Amoretti LIV: Of this worlds Theatre in which we stay”
Kaye, “Plymouth Savoy in Australia” (ca. 1950s)
O joyous, blossoming, ever-blessed flowers!
’Mid which my pensive queen her footstep sets;
O plain, that hold’st her words for amulets
And keep’st her footsteps in thy leafy bowers!
O trees, with earliest green of springtime hours,
And all spring’s pale and tender violets!
O grove, so dark the proud sun only lets
His blithe rays gild the outskirts of thy towers!
O pleasant country-side! O limpid stream,
That mirrorest her sweet face, her eyes so clear,
And of their living light canst catch the beam!
I envy thee her presence pure and dear.
There is no rock so senseless but I deem
It burns with passion that to mine is near.
— Petrarch (Tr. Higginson)
Heaven Help Me
cf. Sears advertisement (1972)
I want to say to you
Time is just passing us by…
Who Wants To Be Lonely
cf. Left: Maclean’s Magazine (1969) and Right: LIFE Magazine (1970)
There’s Only One Way To Rock
cf. Video by cottonbro via Pexels and Gustave Caillebotte, “Paris Street; Rainy Day” (1877) (collage by me)
Strawberry Letter 23
cf. Maclean’s Magazine (1987)
was the past in color?
1987 was in color
bigger than life
but then again
it could have been
only black and white —
I can’t see in this light
late at night
cf. Maclean’s Magazine (1971)
Drink to me only with thine eyes,
And I will pledge with mine;
Or leave a kiss but in the cup,
And I’ll not look for wine…
— Ben Jonson
One Night Stand
cf. Maclean’s Magazine (1968)
She laughed: ‘No, surely; am I not with you?’
And uttering that soft starry ‘you,’ she leaned
Her gentle body near him, looking up;
And from her eyes, as from a poison-cup,
He drank until the flittering eyelids screened…
— George Meredith, Modern Love: IX
Hard To Laugh
from the Toni Frissell collection, Library of Congress (1946)
She didn’t tell me there were rocks
Under the waves
Right off the shore…
All For Leyna
cf. from the Toni Frissell Collection, Library of Congress, (detail) (1946)
THE fountains mingle with the river
And the rivers with the ocean,
The winds of heaven mix for ever
With a sweet emotion;
Nothing in the world is single,
All things by a law divine
In one another’s being mingle—
Why not I with thine?
See the mountains kiss high heaven,
And the waves clasp one another;
No sister-flower would be forgiven
If it disdain’d its brother;
And the sunlight clasps the earth,
And the moonbeams kiss the sea—
What are all these kissings worth,
If thou kiss not me?
— Shelley, “Love’s Philosophy”
Could It Be I’m Falling in Love
Horst Ehricht, “Spring!” (Maclean’s Magazine, 1971)
Last night I was in the garden till 11 o’clock. It was the sweetest night that e’er I saw. The garden looked so well and the jasmine smelt beyond all perfume. And yet I was not pleased. The place had all the charms it used to have when I was most satisfied with it, and had you been there I should have liked it much more than ever I did; but that not being, it was no more to me than the next field…
— Letter from Dorothy Osborne to Sir William Temple, Sunday, July 10th, 1653
Call My Name
Thomas J. O’Halloran, “Medlars – new computer to keep medical information” (1964)
Now I’ve found my heaven
From the neck on up
You’re a perfect eleven
From the neck on up…
Neck On Up
George C. Laur, “Students on Their Way to Senior High School…” (ca. 1975)
The Road Taken
Two hundred roads diverged from a yellow house,
And sorry I could not travel all two hundred
And be one traveler, briefly I stood
And looked down one and thought it was good;
And looked down the other one hundred and ninety nine
And thought they were mine.
Oh, I kept the first for another day!
Even knowing how way leads on to way losing track,
I never doubted that I could come back.
I am telling this with a sigh
Somewhere ages and ages ago:
Two hundred roads diverged —
I took number one ninety nine to my regret,
And that is what I can’t forget.
— J.S. (cf. Robert Frost, “The Road Not Taken”)
Thomas J. O’Halloran, “Young people working in Library” (1964)
From women’s eyes this doctrine I derive.
They sparkle still the right Promethean fire.
They are the books, the arts, the academes
That show, contain, and nourish all the world.
Else none at all in ought proves excellent.
— Love’s Labor’s Lost
What A Wonderful World
cf. Gold Bell Catalog (1963)
Warren K. Leffler, “Teen age [i.e., teenage] economy” (detail) (1964)
Love, therefore, and tongue-tied simplicity
In least speak most, to my capacity.
— A Midsummer Night’s Dream
cf. Maclean’s Magazine (1970)
O MISTRESS mine, where are you roaming?
O stay and hear! your true-love’s coming
That can sing both high and low;
Trip no further, pretty sweeting,
Journeys end in lovers’ meeting—
Every wise man’s son doth know.
What is love? ’tis not hereafter;
Present mirth hath present laughter;
What’s to come is still unsure:
In delay there lies no plenty,—
Then come kiss me, Sweet-and-twenty,
Youth’s a stuff will not endure.
— from Twelfth Night
Love Grows Where My Rosemary Goes
cf. Richard Avedon, “Carmen, Homage To Munkacsi, Coat By Cardin, Place François-Premier, Paris” (ca. 1957) and Horst Ehricht, “All the rage in Paris” (Maclean’s Magazine, 1977)
Got To Get Out
cf. Screen Magazine (2003)
Come, come, we are friends. Let’s have a
dance ere we are married, that we may lighten our
own hearts and our wives’ heels.
We’ll have dancing afterward.
First, of my word! Therefore play, music.—
Prince, thou art sad. Get thee a wife, get thee a wife…
— Much Ado About Nothing
John Ferrell, “…Good Humor ice cream truck” (detail) (1942)
“Give me some music—music, moody food
Of us that trade in love.”
— Antony and Cleopatra
Ice Cream Man
cf. Strohmeyer & Wyman, “The new woman – wash day” (ca. 1897)
What Has Happened?
Esther Bubley, “Girl sitting alone in the Sea Grill…” (1943)
I’ve been made blue
I’ve been lied to
When will I be loved?
H.C. White Co., “Giving him her hand with all her heart” (ca. 1902)
Don’t Talk Just Kiss
cf. television commercial
Mimi Gets Mad
cf. Handy (Jam) Organization, “Consuming Women (Women as Consumers)” (ca. 1967)
Play That Funky Music (Jul Nako remix)
Universal Photo Art Co., “1:30 A.M. Oh! How shocking!” (ca. 1904)
Where Does the Time Go?
Party at The Met, ca. 1960s
LOVELIEST of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.
Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.
And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.
— A. E. Housman, A Shropshire Lad
BELL & JAMES — Livin’ It Up (Friday Night)
cf. Arthur Murray Dance Studio television commercial (ca. 1970)
I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
It’s the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet…
— Maya Angelou, Phenomenal Woman
Cincinnati Magazine, 1982
They spoke in low tones, covered by the music. “Let us sit here, and look on, as though in a dream. For it is like a dream to me, that we are sitting like this…”
— The Magic Mountain
Roberta Flack – Feel Like Makin’ Love [The Reflex Revision] by The Reflex
National Geographic Magazine, 1954
All happy families are alike, each unhappy family is unhappy in its own way.
— Anna Karenina (Tr. Bartlett)
Trouble in Paradise
cf. National Geographic Magazine, 1972
cf. Popular Mechanics, 1974 (edited collage)
I Love Lucy
Maclean’s Magazine (1967)
Unto the boundless Ocean of thy beauty
Runs this poor river, charged with streams of zeal:
Returning thee the tribute of my duty,
Which here my love, my youth, my plaints reveal.
Here I unclasp the book of my charged soul,
Where I have cast th’accounts of all my care:
Here have I summed my sighs, here I enroll
How they were spent for thee; look what they are.
Look on the dear expenses of my youth,
And see how just I reckon with thine eyes:
Examine well thy beauty with my truth,
And cross my cares ere greater sum arise.
Read it sweet maid, though it be done but slightly;
Who can show all his love, doth love but lightly.
— Samuel Daniel, Delia 1: Unto the boundless Ocean of thy beauty
The Strawberry Blonde
cf. LIFE Magazine, 1970 and Romeo and Juliet
All Right Now
Business Screen Magazine, 1973
Costly thy habit as thy purse can buy,
But not express’d in fancy; rich, not gaudy;
For the apparel oft proclaims the man…
▶ I Got Ants In My Pants (And I Want To Dance) (Remix) by James Brown
Educational Screen And AudioVisual Guide, 1959
I SING the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the
— Leaves of Grass
Blow My Fuse by Kix
Art Hanson, “Students Resting in the Hall Against Their Lockers Waiting for Class…” (1975)
At the inn, Coleridge emblazoned into his Notebook, in huge, drunken capital letters, two portentous words, “THE EPOCH”, followed by three pages of frantic scrawl…
— Richard Holmes, Coleridge: Darker Reflections
You Can’t Change That
Lynn Pelham, “A public machine vends customers’ blood pressure for 25¢” (LIFE, 1960)
High Blood Pressure
Educational Screen Magazine, 1954
Sometimes she tries to hide it from me
But when she starts talking over my head
It makes me dizzy…
Love with a Thinker
Left: Nationaal Archief, “Youngsters having a good time” (1961)
Right: Joseph B. Bergstresser, “Unidentified group playing cards” (ca. 1860-1900)
“Still The One” by Orleans
Cincinnati Magazine, 1986
hair metal holiday
check the mirror
moonlight on the dash
summer night on the driver’s side
green lights as far as i can see
I Want A Woman
Aegis Productions, “What Now!” via Prelinger Archives (ca. 1960s)
Get Down On It by Kool & The Gang
The Saint and the Singer (1914)
“What are you going to do?” Hans Castorp asked, flabbergasted.
“I am leaving,” she repeated, smiling in apparent amazement at the frozen look on his face.
“It’s not possible,” he said. “You’re joking.”
“Most certainly not. I am perfectly serious. I am leaving…”
A whole world was collapsing inside him.
— The Magic Mountain
If Ever You’re In My Arms Again
Just Mother (1914)
How say you? Let us, O my dove,
Let us be unashamed of soul,
As earth lies bare to heaven above!
How is it under our control
To love or not to love?
— Robert Browning, Two in the Campagna (excerpt)
Business Screen magazine, 1973
The evening, blue, voluptuous, of June
Settled slowly on the beach with pulsating wings,
Like a sea-gull come to rest: far, far-off twinkled
Gold lights from the towers of a city and a passing ship.
The dark sea rolled its body at the end of the beach,
The warm soft beach which it was too tired to climb,
And we two walked together there
Arm in arm, having nothing in our souls but love.
— John Gould Fletcher, Memory: The Walk on the Beach (excerpt)
Julie, Do Ya Love Me by Bobby Sherman
cf. LIFE, 1972 and Oscar Wilde, “The Importance of Being Earnest”
Billy Rose Theatre Division, “Harvest” (1913)
Newman uttered one of the least attenuated imprecations that had ever passed his lips…
—Henry James, The American
“Into The Fire” – Dokken
Missouri Historical Society, “Capturing the City: Photographs from the Streets of St. Louis, 1900–1930 — Strand Motion Picture Theater entrance at 419 North Sixth Street featuring advertisement for the movie “Bootles’ Baby,” 1915. The large colorful poster catches the attention of the woman passing at far right.” (detail)
Darling, I’ve nearly sat it off in the Strand to-day and all because W.E. Lawrence of the Movies is your physical counter-part. So I was informed by half a dozen girls before I could slam on a hat and see for myself—He made me so homesick…
—letter from Zelda Fitzgerald to F. Scott Fitzgerald, March, 1919
cf. Advertiser-News, 1977 and John Gay, The Beggar’s Opera
The Beggar’s Opera: “My heart was so free”