cf. LIFE (1972)
HAMLET: …I did love you once.
OPHELIA: Indeed, my lord, you made me believe so.
But when it comes down to fooling you now, honey, that’s quite a different subject.
Category: photography
We are stardust, we are golden and we’ve got to get ourselves back to the garden.
Even It Up
If music be the food of love, play on… (April, 1978)
There’s Only One Way To Rock
To Celia
cf. Maclean’s Magazine (1971)
Drink to me only with thine eyes,
And I will pledge with mine;
Or leave a kiss but in the cup,
And I’ll not look for wine…
— Ben Jonson
It Never Gets Old
I am sharing another inspirational post from one of my favorite blogs, “ARE YOU THERE, ERMA? IT’S ME, SYLVIA.”
Sylvia loved the simplicity and easiness of holding Cam’s hand. More telling for her though than the actual act of holding his hand was the idea that he wanted her. Her hand in his. He desired her touch and invited her into the moment and into a new chapter in her own life.
Like Sylvia, I love holding hands. I giggle at the thought of it. There’s a playful energy and a sense of youthfulness about holding hands. Hold my hand when we cross the street. I’ll hold yours during the scary parts. Take my hand in yours, and let’s make a run for it! Keep me safe. Lovers. Friends. Spouses. Playmates. Parents and children. Anyone and everyone. Anywhere and everywhere.
If I had to choose a universal way of communicating care, empathy, love, friendship, and all that makes my soul burgeon with emotion, it would be by holding hands…
View original post 369 more words
Lifelines and Memories
A wonderful post from one of my favorite blogs — “ARE YOU THERE, ERMA? IT’S ME, SYLVIA.”
Sylvia and Erma are swapping stories over coffee this morning and sharing some of their favorite memories. The longtime friends and stalwart supporters of each other’s dreams agree that they are not living in the past or pining for the future at all. They use the memories and aspirations they have to garner strength and save themselves and each other on the tough days.
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“You may grow to love this person but remember they are not yours to keep. Their purpose isn’t to save you but to show you how to save yourself. And once this is fulfilled; the halo lifts and the angel leaves their body as the person exits your life.”
~Lang Leav
A Cautionary Tale
from the Toni Frissell collection, Library of Congress (1946)
She didn’t tell me there were rocks
Under the waves
Right off the shore…
dreamless
cf. photograph by Toni Frissell, “Weeki Wachee spring, Florida” (underwater view of a woman, wearing a long gown, floating in water) (1947) and video (underwater seabed light) by motionstock via Pixabay (edited collage by me)
I placed my dream in a boat
and the boat into the sea;
then I ripped the sea with my hands
so that my dream would sink.My hands are still wet
with the blue of the slashed waves,
and the color that runs from my fingers
colors the deserted sands.The wind arrives from far away,
night bends itself with the cold;
under the water in a boat
my dream is dying away.I’ll cry as much as necessary
to make the sea grow
so that my boat will sink to the bottom
and my dream disappear…
— Cecilia Meireles, “Song” (Tr. Giacomelli)
Call My Name
Horst Ehricht, “Spring!” (Maclean’s Magazine, 1971)
Last night I was in the garden till 11 o’clock. It was the sweetest night that e’er I saw. The garden looked so well and the jasmine smelt beyond all perfume. And yet I was not pleased. The place had all the charms it used to have when I was most satisfied with it, and had you been there I should have liked it much more than ever I did; but that not being, it was no more to me than the next field…
— Letter from Dorothy Osborne to Sir William Temple, Sunday, July 10th, 1653
I never saw that you did painting need
Toni Frissell, “Woman wearing headscarf seated at table with drink” (detail) (ca. 1940)
I NEVER saw that you did painting need…
— Sonnet LXXXIII
A Late Walk
Rainy day, Paris, August, 1984
WHEN I go up through the mowing field,
The headless aftermath,
Smooth-laid like thatch with the heavy dew,
Half closes the garden path.And when I come to the garden ground,
The whir of sober birds
Up from the tangle of withered weeds
Is sadder than any words.A tree beside the wall stands bare,
But a leaf that lingered brown,
Disturbed, I doubt not, by my thought,
Comes softly rattling down.I end not far from my going forth
By picking the faded blue
Of the last remaining aster flower
To carry again to you.
— Robert Frost, “A Late Walk”
I Love Your Smile
All I’ve got is a photograph
cf. Elmer Underwood, “Gossip at a wayside inn at Botten…” (ca. 1905)
And Benedick, love on; I will requite thee…
— Much Ado About Nothing
Right Place, Wrong Time
Bob’s Love Affair (1915)
O my Luve is like a red, red rose
That’s newly sprung in June —
Takin’ Care Of Business
cf. Maclean’s Magazine (1964) and Maclean’s Magazine (1961)
If seriously I may convey my thoughts
In this my light deliverance, I have spoke
With one that in her sex, her years, profession,
Wisdom, and constancy hath amazed me more
Than I dare blame my weakness…
— All’s Well That Ends Well
The course of true love never did run smooth.
cf. Gold Bell Catalog (1963)
‘Cause when I get close to you, not much to say.
Warren K. Leffler, “Teen age [i.e., teenage] economy” (detail) (1964)
Love, therefore, and tongue-tied simplicity
In least speak most, to my capacity.
— A Midsummer Night’s Dream
Oberon on the request line
Thomas J. O’Halloran, “WFC-AM & WKYS-FM radio operation” (1977)
OBERON:
Sound music.
[Music.]
Come, my queen, take hands with me,
And rock the ground whereon these sleepers be…
[Titania and Oberon dance.]
— A Midsummer Night’s Dream
I’m With You
Morning Announcements
cf. Screen Magazine (2003)
BENEDICK:
Come, come, we are friends. Let’s have a
dance ere we are married, that we may lighten our
own hearts and our wives’ heels.LEONATO:
We’ll have dancing afterward.BENEDICK:
First, of my word! Therefore play, music.—
Prince, thou art sad. Get thee a wife, get thee a wife…
— Much Ado About Nothing
Antony and Cleopatra
John Ferrell, “…Good Humor ice cream truck” (detail) (1942)
“Give me some music—music, moody food
Of us that trade in love.”
— Antony and Cleopatra
My ex thinks she’s so tough she flicks her cigarette before she puffs.
Until You Come Back To Me (That’s What I’m Gonna Do)
cf. photographs of Frances Benjamin Johnston by Frances Benjamin Johnston (ca. 1888)
Until You Come Back To Me (That’s What I’m Gonna Do)
When Will I Be Loved?
Esther Bubley, “Girl sitting alone in the Sea Grill…” (1943)
I’ve been made blue
I’ve been lied to
When will I be loved?
I Can’t Explain
Jack Delano, “In a physiology class at Iowa State College…” (1942)
Something novel (for me, anyway)
ice would suffice
Garry Winogrand, Untitled (ca. 1965)
Some say the world will end in fire,
Some say in ice…
— Robert Frost, Fire and Ice
You’ll Never Find Another Love Like Mine
Where does the time go when I’m with you?
Still a mystery
I’m still stuck inside and I still can’t figure out what kind of tree that is.
found and lost
cf. Library of Congress, “King’s Highway (Remains)”
here and gone
found and lost…
— J.S.
I Wanna Be Your Boyfriend
Read my palm and tell me why do lovers come and go
George A. Alsop, “Sweet Memories” (ca. 1917)
NOT from the stars do I my judgment pluck
And yet methinks I have astronomy,
But not to tell of good or evil luck,
Of plagues, of dearths, or seasons’ quality;
Nor can I fortune to brief minutes tell,
Pointing to each his thunder, rain, and wind,
Or say with princes if it shall go well,
By oft predict that I in heaven find:
But from thine eyes my knowledge I derive,
And, constant stars, in them I read such art…
— Sonnet XIV
Madalaine
cf. Schlesinger Library, “Midnight pranks of college girls” (1903)
But you can’t see you’re still running wild
Oh Madalaine!
Now don’t run away from me…
forging ahead and a mystery
Feeling bad, stuck inside. Looking at the mystery tree — I’m not sure what kind it is.
I’m out of the business and into rock and roll.
Photo Mood Diary: Thursday, February 20, 2020
J.M. Bridges, “Left Ashore” (ca. 1935)
L.A. proved too much for the man
Mrs. W. M. Gatch, “Waiting for the train” (ca. 1893)
“THE EPOCH”
Art Hanson, “Students Resting in the Hall Against Their Lockers Waiting for Class…” (1975)
At the inn, Coleridge emblazoned into his Notebook, in huge, drunken capital letters, two portentous words, “THE EPOCH”, followed by three pages of frantic scrawl…
— Richard Holmes, Coleridge: Darker Reflections
I get high blood pressure ’cause I’m your man
Lynn Pelham, “A public machine vends customers’ blood pressure for 25¢” (LIFE, 1960)
She has the answer when I don’t know what to ask
Educational Screen Magazine, 1954
Sometimes she tries to hide it from me
But when she starts talking over my head
It makes me dizzy…
Amo te Solo
Viscountess Jocelyn, “Interior of Room” (ca. 1862)
“What has all my Existence been since then but an Amo te Solo…”
— Coleridge, Notebooks, III
“He gathered together a few shillings and wired them to Trieste…”
Pasadena (Calif.) Audubon Society, “Teaching Children To Love The Birds” (ca. 1922)
He gathered together a few shillings and wired them to Trieste; on Christmas eve John Joyce produced a few more to wire to Nora, quoting Vergil almost accurately, “Non ignara malorum miseris succurrere disco.”*
*“Having suffered myself, I know how to help those in trouble.”
— Richard Ellmann, James Joyce
You’re still the one
Left: Nationaal Archief, “Youngsters having a good time” (1961)
Right: Joseph B. Bergstresser, “Unidentified group playing cards” (ca. 1860-1900)
July, 1976
photograph by John Sapiro
a difficult transition
March, 1985
Entering the Thimble Shoal Channel Tunnel, March, 1985
Queequeg was a native of Rokovoko, an island far away to the West and South. It is not down in any map; true places never are.
— Melville, Moby Dick
Chapter 9
So we beat on, boats against the current, borne back ceaselessly into the past.
— The Great Gatsby
Mercy Mercy Me
Jim Matchinga, “Roots” (Cincinnati Magazine, 1980)
Now this interconnection or adaptation of all created things to each and of each to all, means that each simple substance has relations which express all the others, and, consequently, that it is a perpetual living mirror of the universe.
— Leibniz, The Monadology
I’ll be around you because I’m crazy about you
cf. G. W. Thorne/London Stereoscopic Company, “The Bashful Lover” (hand-colored) (ca. 1860-1870)
Mamma in her kerchief, and I in my cap, had just settled our brains for a long winter’s nap…
He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself…
— Clement Clarke Moore, A Visit from St. Nicholas
Remembering Huxley
A great dog.
Oh, how I wish we were back on the road again…
I come in last night about half past ten…
cf. Library of Congress Prints and Photographs Division, “Man sitting with dog on front porch as woman looks through door…” (between 1860 and 1930)
Into The Fire
Billy Rose Theatre Division, “Harvest” (1913)
Newman uttered one of the least attenuated imprecations that had ever passed his lips…
—Henry James, The American
Saving Grace
Dick Swanson, “Artist On Bank Of The Schuylkill River” (1973)
I think that if I can get into the habit of writing a little about what happens, or rather doesn’t happen, I may lose a little of the sense of loneliness and desolation which abides with me. My circumstances allowing of nothing but the ejaculation of one-syllabled reflections, a written monologue by that most interesting being, myself, may have its yet to be discovered consolations. I shall at least have it all my own way and it may bring relief as an outlet to that geyser of emotions, sensations, speculations and reflections…so here goes, my first Journal!
—Diary of Alice James, May 31, 1889
“Everything Else” – Jennifer Damiano
ACT I, SCENE II: A café near the Duke’s palace.
The Finnish Museum of Photography, “The counter of a café at the new Centrum department store of Voima cooperative.” (detail) (1961)
What passion hangs these weights upon my tongue?
I cannot speak to her, yet she urged conference.
O poor Orlando! Thou art overthrown.
—As You Like It
“Magnet and Steel” – Walter Egan
“Once Again To Zelda”
Missouri Historical Society, “Capturing the City: Photographs from the Streets of St. Louis, 1900–1930 — Strand Motion Picture Theater entrance at 419 North Sixth Street featuring advertisement for the movie “Bootles’ Baby,” 1915. The large colorful poster catches the attention of the woman passing at far right.” (detail)
Darling, I’ve nearly sat it off in the Strand to-day and all because W.E. Lawrence of the Movies is your physical counter-part. So I was informed by half a dozen girls before I could slam on a hat and see for myself—He made me so homesick…
—letter from Zelda Fitzgerald to F. Scott Fitzgerald, March, 1919
At The Food Fair
cf. The Finnish Museum of Photography, “Osuustukkukaupan osasto Elintarvikemessuilla Messuhallissa.” (1950) (edited detail)
Hold the line! Love isn’t always on time.
Frances Benjamin Johnston, “2 scenes from Pastoral Plays: Strephon casts off Chloe” (1906)
I’ll Have To Say I Love You In A Song
Left: Underwood & Underwood, “…a country farm-yard in Ireland” (ca. 1903)
Right: L.M. Melander & Bro., “Another button off” (ca. 1875)
“Nay, if I mistake not, unity itself divided by zero equals infinity.”
Jack Corn, “The Cool Morning Air Condenses a Boy’s Breath as He Walks Along a Coal Car on His Way to School…” (1974)
“Nay, if I mistake not, unity itself divided by zero equals infinity.”
—Thomas Carlyle
